Cinematographer
UVIR-Filter sind mein Schutzschild gegen IR-Kontamination. Besonders bei starken NDs und Sonnenlicht sind sie unverzichtbar – schwarze Stoffe würden sonst magenta erscheinen.
Optical filter designed to block ultraviolet and infrared wavelengths from reaching digital camera sensors – prevents color casts, false colors in black fabrics, and focus shifts that occur when sensors detect light outside the visible spectrum that film stock naturally rejected.
A UVIR filter blocks ultraviolet and infrared light from reaching digital sensors. While film naturally ignored these wavelengths, digital sensors can capture them – leading to color issues.
| Aspect | Description |
|---|---|
| Definition | UV+IR blocking filter |
| Function | Spectral filtering |
| Problem | Sensor IR/UV sensitivity |
| Solution | Wavelength blocking |
| Aspect | Film | Digital |
|---|---|---|
| UV | Naturally blocked | Sensitive |
| IR | Not sensitive | Highly sensitive |
| Correction | Not needed | Filter required |
| Effect | Natural colors | Potential discoloration |
| Symptom | Cause |
|---|---|
| Magenta casts | Black appears discolored |
| Skin tones | Unnaturally warm |
| Focus shift | IR focuses differently |
| Contrast | Reduced |
| Symptom | Cause |
|---|---|
| Haze | Atmospheric UV |
| Blue cast | UV excess |
| Blurriness | UV diffraction |
| Skin detail | Overemphasized |
| Type | Technology |
|---|---|
| Absorptive | Glass absorbs |
| Reflective | Hot Mirror |
| Dichroic | Wavelength-selective |
| Hybrid | Combined |
| Situation | Necessity |
|---|---|
| Daylight | High |
| With ND | Very high |
| Tungsten | Low |
| Mixed | Medium |
| ND Type | IR Behavior |
|---|---|
| Standard Glass | Lets IR through |
| IRND | Blocks IR |
| Variable ND | Often IR problematic |
| Internal ND | Camera-dependent |
| Camera Type | UVIR Handling |
|---|---|
| Cinema | Often OLPF integrated |
| DSLR | Mostly weaker |
| Mirrorless | Varies |
| Action | Minimal |
| Position | Variant |
|---|---|
| Matte Box | Standard 4x5.65 |
| Screw-on | Lens filter |
| Rear Filter | Behind lens |
| Sensor Filter | In-camera |
| Brand | Products |
|---|---|
| Tiffen | T1 IR |
| Schneider | IR/UV Cut |
| Formatt | Firecrest IRND |
| NiSi | Cinema IR Cut |
| Parameter | Typical |
|---|---|
| UV Cutoff | 380-400nm |
| IR Cutoff | 680-720nm |
| VL Transmission | 90%+ |
| Color Shift | Minimal |
| Factor | Impact |
|---|---|
| Coating | Reflections |
| Glass | Optical quality |
| Cutoff | Sharpness of separation |
| Neutrality | Color shift |
| Phase | Activity |
|---|---|
| Prep | Test filters |
| Shoot | Use situationally |
| Monitor | Observe colors |
| Post | Minimal needed |
| Problem | Solution |
|---|---|
| Still IR | Stronger filter |
| Color cast | Check filter quality |
| Vignetting | Thinner filter |
| Reflections | Coating quality |
| Practice | Reason |
|---|---|
| Always test | Camera setup |
| Document | Filter configuration |
| Consistency | Across production |
| Backup | Spare filters |
UVIR filters are a standard tool in digital cinematography. With increasing sensor sensitivity and higher resolutions, IR issues become more visible. Combined IRND filters simplify the workflow, while dedicated UVIR filters offer maximum control. The right choice depends on the camera, lighting situation, and workflow.
UVIR-Filter sind mein Schutzschild gegen IR-Kontamination. Besonders bei starken NDs und Sonnenlicht sind sie unverzichtbar – schwarze Stoffe würden sonst magenta erscheinen.
UVIR-Filter sorgen für korrekte Farbwiedergabe meiner digitalen Aufnahmen. Es ist ein technisches Detail, das ich meinem Kameramann vertrauensvoll überlasse.
UVIR-Filter sind günstige Versicherung gegen teure Farbkorrekturen in der Post. Sie gehören zur Standard-Ausrüstung jeder digitalen Produktion.
1. Zu welchem Department gehört „UVIR-Filter / UV-IR-Filter / Ultraviolett-Infrarot-Filter"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.