Cinematographer
Run-of-Show-Verträge geben mir Planungssicherheit. Ich bin für die gesamte Produktion gebucht, auch wenn es Tage gibt, an denen ich nicht direkt am Set bin – ideal für Vorbereitung und Tests.
Employment contract covering the entire duration of a film production from start to wrap – guarantees continuous work and pay throughout the production period regardless of actual daily call status, providing job security for key crew members and talent.
Run of Show (ROS) refers to employment for the entire duration of the production – from the start of prep to wrap. Unlike day players or weekly bookings, ROS guarantees continuous payment regardless of daily call times.
| Aspect | Description |
|---|---|
| Definition | Overall production contract |
| Duration | Prep to Wrap |
| Payment | Continuous |
| Security | Guaranteed employment |
| Type | Duration | Payment |
|---|---|---|
| Run of Show | Entire Production | Continuous |
| Weekly | Weekly | Per Week |
| Day Player | Daily | Per Day |
| On-Call | As Needed | When Called |
| Department | Positions |
|---|---|
| Camera | DP, 1st AC |
| Directing | Director, AD |
| Production | UPM, Coordinator |
| Art Department | Production Designer |
| Element | Content |
|---|---|
| Start Date | First day of work |
| End Date | Wrap date |
| Rate | Weekly/Flat |
| Hours | Base expectation |
| Aspect | Description |
|---|---|
| Flat Rate | Lump sum for total time |
| Weekly Rate | Per week |
| Overtime | As agreed |
| Holidays | Usually paid |
| Benefit | Description |
|---|---|
| Security | Guaranteed work |
| Planning | Known duration |
| Relationship | Team building |
| Income | Stable |
| Benefit | Description |
|---|---|
| Availability | Crew always ready |
| Continuity | No re-training |
| Commitment | Dedicated team |
| Flexibility | Schedule changes |
| Aspect | Regulation |
|---|---|
| Definition | Days without a call |
| Payment | Yes, for ROS |
| Availability | Expected |
| Notice | Prior notification |
| Aspect | Description |
|---|---|
| Definition | Readiness without engagement |
| ROS Relevance | Automatically covered |
| Day Player | Often unpaid |
| Expectation | Available on short notice |
| Clause | Meaning |
|---|---|
| Exclusive | No other work |
| First Call | Priority for production |
| Permission | For side projects |
| Typical | For key crew |
| Scenario | Handling |
|---|---|
| Overruns | Additional weeks |
| Reshoots | New agreement |
| Extension | Contract adjustment |
| Negotiation | Rate review |
| Aspect | Regulation |
|---|---|
| Production | With severance |
| Crew | Depending on contract |
| Force Majeure | Special rules |
| Notice Period | Agreed upon |
| Factor | Consideration |
|---|---|
| Fixed Cost | Predictable |
| Higher Total | Than day players |
| Stability | No rate fluctuation |
| Insurance | Often simpler |
| Aspect | Practice |
|---|---|
| Specialty | For specific scenes |
| Peak Days | Additional personnel |
| Cost Saving | Where ROS is not needed |
| Coordination | With ROS crew |
| Practice | Reason |
|---|---|
| Clear Contract | Define expectations |
| Rate Negotiation | Fair for both sides |
| Communication | About schedule changes |
| Documentation | Sign Deal Memo |
Run-of-show contracts remain standard for key positions in film and television productions. The balance between ROS crew for continuity and day players for flexibility is a crucial part of production planning. In the streaming era with extended production periods, job security through ROS contracts is gaining importance.
Run-of-Show-Verträge geben mir Planungssicherheit. Ich bin für die gesamte Produktion gebucht, auch wenn es Tage gibt, an denen ich nicht direkt am Set bin – ideal für Vorbereitung und Tests.
Run-of-Show-Crew bedeutet Kontinuität. Meine Kernmannschaft ist vom ersten Vorbereitungstag bis zum Wrap verfügbar, was die kreative Zusammenarbeit erheblich verbessert.
Run-of-Show-Verträge sichern Schlüsselpersonal. Die höheren Kosten im Vergleich zu Day-Player-Buchungen werden durch Zuverlässigkeit und reduzierte Einarbeitungszeit ausgeglichen.
1. Zu welchem Department gehört „Run of Show / Gesamtproduktionsvertrag / Durchgehende Beschäftigung"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.