Cinematographer
From a DoP's perspective, this element is essential for the visual design. It allows me to consistently implement the desired color mood and aesthetic image.
Tungsten spotting unit with six individually switchable PAR64 lamps (6,000 W total / 3200 K), Maxi-Brute class fixture for broad-area illumination.
Overview
The 6-Light Maxi (also known as "Maxi Brute Six-Light", "6-Light Maxi Brute", or "Six-Light Molepar") is a tungsten open-face fixture from the Maxi Brute family. It houses six PAR64 sealed-beam lamps in a single housing, each with its own reflector. Each lamp can be individually switched on or off via its own toggle switch, allowing the total output to be controlled in stages.
The "6-Light" designation refers to the configuration of six PAR lamps and distinguishes this variant from larger Brutes (e.g., Nine-Light/9,000 W) as well as smaller Mini-Brutes/FAY heads (PAR36). A characteristic feature is the bundling of multiple hard individual beams into a powerful, directional light source.
Technical Specifications
The following values refer to a standard tungsten version (Cinelight Maxi Brute Six-Light). Dimensions, connectors, and bases vary by manufacturer.
| Feature | Value |
|---|---|
| Configuration | 6 × PAR64 |
| Wattage per lamp | 1,000 W |
| Total wattage | 6,000 W (6 kW), stepped 1,000–6,000 W |
| Color Temperature (Tungsten) | 3200 K |
| Lamp base | GX16d |
| Control | 6 individual toggle switches (per lamp) |
| Head dimensions (approx.) | 98 × 62 × 24 cm |
| Weight (approx.) | 15–16 kg |
| Power supply | e.g., CEE 32 A or 6-circuit Socapex (manufacturer dependent) |
Lamps and Beam Characteristics
The light output is not focused via a lens or mirror, but rather determined by the choice of PAR64 globe. Common beam types include:
- VNSP (Very Narrow Spot)
- NSP (Narrow Spot)
- MFL (Medium Flood)
- WFL (Wide Flood)
Standard are tungsten globes with 3200 K. For daylight applications, dichroic FAY globes (approx. 5000 K) were formerly used; these are now considered expensive and short-lived and have largely been replaced by HMI and LED solutions.
Set Usage
The 6-Light Maxi delivers a lot of "punch" for a relatively low purchase and rental cost and is primarily used for large-area tasks:
- powerful backlight across wide frame sections
- lighting facades and sets for night shoots
- hard punch through windows
- fill and bounce for exterior daylight, often directed at white reflector surfaces
Since the six lamps can be switched individually, the brightness level can be roughly adjusted without dimmers and thus matched to other light sources. At greater subject distances, the multiple individual shadows can blend more softly. However, the light fundamentally remains hard; for soft light, the head is typically used with diffusion (frost, fabric) or as a bounce.
From the crafts
Perspectives
Producer
This professional solution increases production efficiency and reduces post-production requirements. It allows for flexible, rapid adjustments during the shoot.
Gaffer
As a gaffer, this is an indispensable tool in my daily kit. It allows me professional light control and quick adjustments on set, which saves time and ensures quality.
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1. Zu welchem Department gehört „6-Licht Maxi"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?