Lens series by Tokina designed for professional cinema cameras — unified T-stop scale and gear rings for follow focus compatibility.
The Tokina Cinema Vista series offers focal lengths from 18mm to 105mm with a constant T1.5 aperture and weighs between 1,680g (25mm) and 2,040g (105mm). All lenses feature a uniform 95mm filter thread, 300° focus ring rotation, and 120° iris ring movement. The optical construction uses 11-16 lens elements in 10-11 groups, depending on the focal length. The focus ring moves via a mechanical worm gear coupling without electronic components. The minimum focus distance varies between 0.4m (18mm) and 1.0m (105mm).
Tokina launched its first professional cinema optics in 2016 with the Cinema ATX series, which were based on existing still photography lenses. In 2019, the completely newly developed Vista series followed, featuring improved optical design and uniform mechanical specifications. In 2021, the company expanded its range with the more affordable SZ series for budget productions. Development was carried out in collaboration with Japanese cinematographers and European rental houses.
Tokina Cinema lenses are primarily used in independent productions and documentaries where value for money is crucial. For example, the Vista 25mm T1.5 was used for close-ups in "The Power of the Dog" (2021) as a secondary set alongside Cooke optics. The consistent look allows for seamless focal length changes, while the T1.5 aperture becomes critical in available light situations. The mechanical construction without electronics makes the lenses particularly robust for exterior shoots.
Compared to Zeiss CP.3 or Cooke S4i, Tokina Cinema lenses offer 60% lower acquisition costs with comparable sharpness, but with less characteristic bokeh. The Vista series is positioned between budget optics like Rokinon Xeen and premium manufacturers like ARRI Signature Primes. For TV productions with limited budgets, they represent a solid alternative to Fujinon MK zooms when prime optics are desired.
Ich schätze die durchgängige T1.5-Blende der Vista-Serie, die mir bei schwachem Licht echte Flexibilität gibt, ohne dass ich ständig die ISO hochdrehen muss. Die 300°-Fokusrotation ermöglicht präzise Schärfenverlagerungen, auch wenn das Bokeh nicht so cremig wie bei Cooke-Optiken ausfällt. Der einheitliche 114mm-Frontdurchmesser macht Mattebox-Wechsel zwischen den Brennweiten überflüssig.
Ich nutze Tokina Cinema-Objektive für intimere Geschichten, wo der neutrale Look die Schauspieler nicht überstrahlt und die Geschichte im Vordergrund steht. Die T1.5-Öffnung hilft mir bei Kerzenlicht-Szenen authentische Stimmung zu schaffen, ohne aufwendige Beleuchtung. Für stylisierte Projekte greife ich allerdings lieber zu charaktervolleren Optiken wie Cooke oder vintage Zeiss.
Tokina Cinema-Objektive kosten mich etwa 25.000€ für ein 5er-Set statt 80.000€ für vergleichbare Zeiss CP.3, was bei TV-Budgets entscheidend ist. Die mechanische Bauweise reduziert Ausfallrisiken und Serviceanforderungen während der Drehzeit. Für Independent-Features mit 20-30 Drehtagen rechnet sich der Kauf gegenüber Rental bereits ab dem zweiten Projekt.
1. Zu welchem Department gehört „Tokina Cinema"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
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