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Rosco 3028
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Rosco 3028

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Rosco Cinegel #3028 is a heat-resistant diffusion gel ("Tough 1/4 White Diffusion") for subtle light scattering and softening of spotlight beams.

Overview

Rosco Cinegel #3028 is a diffusion gel from the manufacturer Rosco's Cinegel series. Its official designation is "Tough 1/4 White Diffusion". It is not a color or correction filter, but a light-scattering material (White Diffusion) that softens the light beam of a fixture and reduces the hardness of shadows.

The "1/4" strength is the weakest of the common gradations within the Tough White Diffusion family. According to the manufacturer's description, #3028 has "similar properties to Tough 1/2 White Diffusion, but is less dense" – meaning the diffusion is subtle and the light loss is correspondingly low.

Classification within the Tough White Diffusion Family

Rosco's White Diffusion gels are available in graduated densities. #3028 is the 1/4 variant; it is occasionally referenced as "1/4 216," derived from the standard diffusion material 216.

Cinegel No.DesignationRelative Density
#3026Tough White Diffusion (216)Full (strongest)
#3027Tough 1/2 White DiffusionHalf
#3028Tough 1/4 White DiffusionQuarter (weakest)

Technical Characteristics

The material is manufactured on a heat-resistant polyester (PET) base. The designation "Tough" signifies a higher melting point for Rosco: such gels can be placed directly in front of or close to most hot lighting fixtures without immediately melting.

  • Manufacturer / Series: Rosco, Cinegel
  • Type: White Diffusion (light scattering, not a color filter)
  • Base: Heat-resistant polyester (PET)
  • Available forms: including sheets 20" x 24" (approx. 51 x 61 cm) and rolls 48" x 25' (approx. 1.22 m x 7.62 m)

On-Set Usage

#3028 is used when only a slight diffusion is desired – for example, to minimally soften a hard source without noticeably darkening it or significantly altering the character of the light. It is typically applied as a gel on the fixture, in filter frames, in front of barndoors, or on diffusion frames. Due to its low density, less output is lost compared to 1/2 or full White Diffusion, and more brilliance is retained in the light.

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Perspectives

Cinematographer

Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.

Producer

Diese professionelle Lösung erhöht die Produktionseffizienz und reduziert Post-Production-Anforderungen. Sie ermöglicht flexible, schnelle Anpassungen während des Drehs.

Gaffer

Als Gaffer ist dies ein unverzichtbares Werkzeug meines täglichen Handwerkszeugs. Es ermöglicht mir professionelle Lichtkontrolle und schnelle Anpassungen auf Set, was Zeit spart und Qualität sichert.

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