Cinematographer
Die Verleihkopie ist das Endprodukt meiner fotografischen Arbeit. Hier sehe ich, wie meine Belichtungsentscheidungen im Kino aussehen – der ultimative Test meiner Arbeit.
Final positive film print manufactured in quantity for theatrical distribution and exhibition – struck from the internegative or digital intermediate, incorporating all color timing, optical effects, and audio tracks, designed for projection in commercial cinemas.
A Release Print (Verleihkopie) is the final film print for cinema projection. These positive prints are produced from the internegative or Digital Intermediate in the required quantities and distributed to cinemas worldwide.
| Aspect | Description |
|---|---|
| Definition | Exhibition print for screening |
| Source Material | Internegative/DI |
| Quantity | As needed |
| Purpose | Cinema distribution |
| Step | Element |
|---|---|
| 1. Answer Print | First reference copy |
| 2. Approval | Director/DP sign-off |
| 3. Internegatives | Duplicating master |
| 4. Release Prints | Mass production |
| Type | Description |
|---|---|
| Premiere Print | Highest quality |
| First-Run | For initial release |
| Standard | Regular distribution print |
| Budget | For second-run |
| Parameter | Standard |
|---|---|
| Format | 35mm/70mm |
| Sound | Optical/Digital |
| Length | Feature-Length |
| Perforation | Standard/CinemaScope |
| Stock | Properties |
|---|---|
| Kodak Vision | Industry Standard |
| Fuji Eterna | Alternative |
| Low-Contrast | Optimized for projection |
| ISO | Typically 3-6 |
| Format | Description |
|---|---|
| Optical | Analog light sound |
| Dolby SR | Noise reduction |
| Dolby Digital | 5.1 Surround |
| DTS | Separate CD sound |
| SDDS | Sony 8-track |
| Check | Standard |
|---|---|
| Density | Consistent |
| Color | Match to Answer Print |
| Scratches | None |
| Splices | Minimal, invisible |
| Strategy | Print Count |
|---|---|
| Limited | 5-100 prints |
| Platform | 100-500 |
| Wide | 500-3000 |
| Saturation | 3000+ |
| Element | Influence |
|---|---|
| Length | Per-foot price |
| Quantity | Volume discount |
| Sound | Format surcharge |
| Timing | Rush fees |
| Aspect | Handling |
|---|---|
| Packaging | Shipping cases |
| Transport | Temperature-controlled |
| Inspection | Upon arrival |
| Storage | Climate-controlled |
| Phase | Duration |
|---|---|
| First-Run | 2-12 weeks |
| Second-Run | Variable |
| Archive | Long-term |
| Destruction | Per contract |
| Problem | Cause |
|---|---|
| Scratches | Projector contact |
| Density Shift | Repeated projection |
| Splices | Repairs |
| Dirt | Handling |
| Region | Consideration |
|---|---|
| Language | Subtitles/Dubbing |
| Format | Regionally different |
| Censorship | Country-specific |
| Timing | Release windows |
| Aspect | Standard |
|---|---|
| Selection | Best copy |
| Storage | Cold storage |
| Inspection | Regularly |
| Preservation | Long-term stability |
| Aspect | Change |
|---|---|
| DCP | Replaces print |
| Cost | Significantly lower |
| Logistics | Simpler |
| Quality | More consistent |
| Practice | Reason |
|---|---|
| QC every print | Quality assurance |
| Proper Handling | Lifespan |
| Documentation | Tracking |
| Archive Original | Preservation |
In the digital age, release prints have been largely replaced by DCPs (Digital Cinema Packages). The production of film prints is now limited to a few special cases – archiving, festivals with analog projection, and nostalgic premieres. However, the art of print production remains relevant for restorations and the appreciation of cinematic heritage.
Die Verleihkopie ist das Endprodukt meiner fotografischen Arbeit. Hier sehe ich, wie meine Belichtungsentscheidungen im Kino aussehen – der ultimative Test meiner Arbeit.
Verleihkopien sind das, was das Publikum sieht. Die Qualität dieser Kopien bestimmt, wie mein Film weltweit wahrgenommen wird – jede Kopie muss den Answer Print-Standard halten.
Verleihkopien sind eine signifikante Investition. Die Stückzahl hängt von der Veröffentlichungsstrategie ab – von wenigen für Limited Release bis Tausende für Wide Release.
1. Zu welchem Department gehört „Verleihkopie / Kinokopie / Theaterkopie"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.