Cinematographer
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
PAR 64 is a sealed-beam spotlight with a parabolic aluminum reflector, approximately 8 inches in diameter, producing an oval, uncut light beam.
PAR stands for Parabolic Aluminized Reflector. A PAR 64 fixture, in its classic form, is little more than a metal housing ("can") around a sealed-beam lamp. In this lamp, the filament, parabolic reflector, and lens are fused into a single unit. The result is a powerful, oval beam of light with a soft, uncut edge.
The number 64 denotes the nominal reflector diameter in eighths of an inch: 64/8 = 8 inches (approx. 20 cm). Similarly, a PAR 56 is seven inches and a PAR 36 is four and a half inches in diameter. PAR 64 is the largest and most powerful of the common round PAR sizes, originally from stage and concert technology, but also used in film and TV productions.
Unlike a Fresnel or a ERS (Ellipsoidal Reflector Spotlight), the beam of a classic PAR 64 cannot be continuously focused. The character and beam angle of the light are determined by the selected lamp—the same housing can cover different beam characteristics by changing the lamp. The oval beam shape can be aligned by rotating the lamp in its socket.
The common beam types of a 1000W PAR 64 lamp with their associated ANSI lamp codes:
| Beam Type | ANSI Code |
|---|---|
| VNSP (Very Narrow Spot) | FFN |
| NSP (Narrow Spot) | FFP |
| MFL (Medium Flood) | FFR |
| WFL (Wide Flood) | FFS |
The exact values depend on the lamp model and manufacturer; the beam characteristic results from the lamp type mentioned above. In addition to the classic Tungsten-sealed beam versions, LED PAR 64 fixtures are also common today.
For its compact design, the PAR 64 delivers high light output and is well-suited as a hard, directional light source—for example, for backlights, effect lights, edge lights, for illuminating windows, or as a strong toplight. In film/TV contexts, PAR 64s are often used in rows (e.g., on trusses or in "Nine-Light"-like arrangements with other PAR types). Due to the lack of a sharp cut-off, the beam is controlled as needed using barndoors, flags, or diffusion.
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Diese professionelle Lösung erhöht die Produktionseffizienz und reduziert Post-Production-Anforderungen. Sie ermöglicht flexible, schnelle Anpassungen während des Drehs.
Als Gaffer ist dies ein unverzichtbares Werkzeug meines täglichen Handwerkszeugs. Es ermöglicht mir professionelle Lichtkontrolle und schnelle Anpassungen auf Set, was Zeit spart und Qualität sichert.
1. Zu welchem Department gehört „PAR 64"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.