Cinematographer
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
ND.9 neutral density value — reduces light by three stops without color shift; typically applied as gel #211 on windows and fixtures on set.
"ND.9" refers to a Neutral Density value of 0.9 in logarithmic density notation. The number 9 here signifies a density of 0.9, not an f-stop. A filter or gel with ND 0.9 reduces incoming light by three f-stops without altering the color temperature or hue ("neutral"). Theoretically, only one-eighth of the light (1/2 × 1/2 × 1/2 = 1/8) passes through the material.
In the camera world, the same reduction is often referred to as "ND8" or "3 Stops" — all three designations mean the same value. In lighting and grip departments, ND.9 is most commonly encountered as a lighting or window gel with the order number #211 (LEE Filters 211, Rosco E-Colour+ 211).
Density is defined logarithmically: for every 0.3 density units, transmission is halved, meaning one f-stop per 0.3. This leads to the following classification of common ND values:
| Density (ND) | f-stops | Camera Designation | Gel # |
|---|---|---|---|
| 0.3 | 1 Stop | ND2 | 209 |
| 0.6 | 2 Stops | ND4 | 210 |
| 0.9 | 3 Stops | ND8 | 211 |
| 1.2 | 4 Stops | ND16 | 299 |
Theoretically, ND 0.9 allows one-eighth (12.5%) of the light through. The measured values published by LEE Filters for gel 211 are practically close to this: around 11.8% transmission under tungsten light (3200 K).
The ND.9 gel #211 is primarily used in the grip and lighting departments for two tasks:
Besides the gel, ND 0.9 also exists as camera filters made of glass or polyester (e.g., square filters in matte box format). However, in the lighting/grip category, the lighting and window gel #211 is the usual form.
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Diese professionelle Lösung erhöht die Produktionseffizienz und reduziert Post-Production-Anforderungen. Sie ermöglicht flexible, schnelle Anpassungen während des Drehs.
Als Gaffer ist dies ein unverzichtbares Werkzeug meines täglichen Handwerkszeugs. Es ermöglicht mir professionelle Lichtkontrolle und schnelle Anpassungen auf Set, was Zeit spart und Qualität sichert.
1. Zu welchem Department gehört „ND.9 (3 Stops)"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.