Cinematographer
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Lee 216: A strong diffusion gel from LEE Filters with approximately 1½ stops of light loss; used to soften and diffuse hard light from spotlights.
Lee 216 (full name: 216 White Diffusion) is a diffusion filter from the British manufacturer LEE Filters. It is among the most frequently used diffusion materials in film, television, and theater and is considered the "classic" full white diffusion sheet in the Lee range. The filter is stretched or clipped in front of a light source to scatter the light, make it softer, and soften shadow edges.
Unlike color filters (CTB, CTO), a white diffusion does not significantly alter the color temperature; it acts purely as a scattering medium. Lee 216 provides a strong, "milky" diffusion, placing it among the stronger diffusion grades; weaker variants in the same family include Lee 250 (Half White Diffusion) and Lee 251 (Quarter White Diffusion).
The following values are from the official LEE Filters data sheet:
| Property | Value |
|---|---|
| Designation | 216 White Diffusion |
| Manufacturer | LEE Filters |
| Light Loss | approx. 1½ stops |
| Transmission (Y-value) | 36 % |
| Reference Light Source | Daylight (Source C), 6774 K |
| Type | Diffusion filter (not a color or correction filter) |
Lee 216 is available as sheets and in rolls of various widths. The filter itself has no color effect; the "loss" of approximately 1½ stops is due to the scattering of light over a larger area.
Lee 216 is typically inserted directly into a filter holder (gel frame) on the lighting instrument or attached to barndoors with clothespins or clips. It is frequently used to soften hard sources like Fresnel lights or open lamps to create more even, flattering light for skin tones.
Due to its strong diffusion effect, Lee 216 is often cited as the reference when "full" diffusion is intended; for more subtle effects, users opt for the graded variants (250/251) or "Opal" filters instead.
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Diese professionelle Lösung erhöht die Produktionseffizienz und reduziert Post-Production-Anforderungen. Sie ermöglicht flexible, schnelle Anpassungen während des Drehs.
Als Gaffer ist dies ein unverzichtbares Werkzeug meines täglichen Handwerkszeugs. Es ermöglicht mir professionelle Lichtkontrolle und schnelle Anpassungen auf Set, was Zeit spart und Qualität sichert.
1. Zu welchem Department gehört „Lee 216 (White Diffusion)"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
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