Cinematographer
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Lee 129 color correction filter converting tungsten light (3200K) to daylight (5600K) with 2/3 stop light loss.
Lee 129 is the designation for the diffusion filter "Heavy Frost" from the British manufacturer Lee Filters. It is not a color correction filter, but a pure diffusion filter from the diffusion range. The filter is placed in front of the light source (in the filter frame of a fixture, in a frame, or directly in front of the diffusion glass) to transform hard light into soft, nearly shadowless light, while maintaining the basic direction of the beam. Within the Lee Frost family, the 129 belongs to the stronger diffusion grades ("Heavy"); it diffuses significantly more strongly than, for example, the lighter Frost variants.
Values according to manufacturer's data sheet (Lee Filters):
| Property | Value |
|---|---|
| Manufacturer / Product Name | Lee Filters – 129 Heavy Frost |
| Type | Diffusion Filter (Frost) |
| Light Transmission (Transmission Y) | 25 % |
| Light Loss | approx. 2 stops |
| Fire Safety | flame retardant |
Available formats (selection according to manufacturer):
Heavy Frost is used when a strong softening of the light is desired without having to set up a separate diffusion surface. Typical applications include smoothing skin tones, reducing harsh shadows, and creating a soft, even light character directly at the fixture. Since the filter absorbs about two stops of light, the corresponding loss of brightness must be accounted for in exposure and power planning. The flame-retardant design allows for use near hot lights; however, sufficient distance should be maintained between the filter and heat-generating fixtures. Like all Frost filters, the 129 can be cut to size and mounted in filter frames, frames, or clamps.
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Diese professionelle Lösung erhöht die Produktionseffizienz und reduziert Post-Production-Anforderungen. Sie ermöglicht flexible, schnelle Anpassungen während des Drehs.
Als Gaffer ist dies ein unverzichtbares Werkzeug meines täglichen Handwerkszeugs. Es ermöglicht mir professionelle Lichtkontrolle und schnelle Anpassungen auf Set, was Zeit spart und Qualität sichert.
1. Zu welchem Department gehört „Lee 129 (Heavy Frost)"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
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