Cinematographer
Der Director's Monitor ist mein direkter Kommunikationskanal zum Regisseur. Was ich frame, sieht er sofort – Feedback kommt in Echtzeit, Missverständnisse werden vermieden.
The director's dedicated on-set monitor displaying a live camera feed. Often part of Video Village, where the director, script supervisor, and producers watch the action.
The Director's Monitor (German: Regiemonitor) is a dedicated screen for the director on the film set. It displays the camera feed in real-time, allowing the director to assess performance, composition, and timing without having to stand directly behind the camera.
| Aspect | Details |
|---|---|
| Function | Real-time image monitoring |
| Signal | HD-SDI, HDMI, Wireless |
| Location | Video Village |
| Users | Director, Script Supervisor, Producer |
| Element | Function |
|---|---|
| Main Monitor | For Director |
| Secondary Monitors | Script Supervisor, Producer |
| Headphones | Audio Monitoring |
| Playback System | Review |
| Shade/Hood | Sun protection |
| Role | Monitor Priority |
|---|---|
| Director | Primary, best position |
| Script Supervisor | Next to Director |
| Producer | Secondary |
| Client (Commercial) | Separate area |
| Size | Application |
|---|---|
| 7" | Mobile, small |
| 13" | Standard on-set |
| 17" | Comfortable |
| 24" | Video Village |
| 32+" | Client review |
| Manufacturer | Model | Special Feature |
|---|---|---|
| SmallHD | Cine 7 | Versatile |
| Sony | PVM | Reference |
| TVLogic | LVM | Broadcast |
| Atomos | Shogun | Recorder Combo |
| Standard | Quality | Latency |
|---|---|---|
| HD-SDI | Excellent | Minimal |
| 3G-SDI | High | Minimal |
| HDMI | Good | Minimal |
| System | Range | Latency |
|---|---|---|
| Teradek | 150–500m | Low |
| Paralinx | 100–300m | Low |
| VAXIS | 150–500m | Low |
| Feature | Benefit |
|---|---|
| Waveform | Exposure control |
| False Color | Detect overexposure |
| Focus Assist | Focus check |
| Zebras | Highlight warning |
| Frame Lines | Aspect ratio |
| Feature | Benefit |
|---|---|
| LUT Support | Grading preview |
| Anamorphic De-Squeeze | Correct image |
| Pixel Zoom | Detail check |
| Timecode | Sync control |
| Step | Description |
|---|---|
| Setup | Set up monitor |
| Calibration | Color, brightness |
| Signal Test | Check connection |
| Load LUT | Look preview |
| Activity | Monitor Usage |
|---|---|
| Blocking | Check composition |
| Take | Observe performance |
| Playback | Analyze review |
| Notes | Script Supervisor |
| Problem | Solution |
|---|---|
| Sunlight | Shade, tent |
| Latency | Wired signal |
| Color Deviation | Calibration |
| Signal Loss | Backup cabling |
The Director's Monitor has transformed communication on set – the director sees what the camera sees, in real-time.
| Aspect | Details |
|---|---|
| Frequency | Standard on every professional set |
| Equipment | SmallHD, TVLogic, Sony |
| Cost | €500–€5,000+ |
| Trend | Wireless, larger displays |
Wireless transmission and high-resolution HDR monitors continuously improve the experience – the director sees the image in cinema quality.
Der Director's Monitor ist mein direkter Kommunikationskanal zum Regisseur. Was ich frame, sieht er sofort – Feedback kommt in Echtzeit, Missverständnisse werden vermieden.
Mein Regiemonitor ist mein Fenster ins Bild. Hier sehe ich genau das, was die Kamera einfängt – Schauspielerleistung, Komposition, Timing. Ohne diesen Monitor bin ich blind.
Der Regiemonitor-Aufbau ist Teil des Standard-Equipment. Die Kosten sind moderat, aber die Effizienzgewinne durch bessere Kommunikation am Set sind erheblich.
1. Zu welchem Department gehört „Regiemonitor"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.