Cinematographer
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Self-propelled telescopic or articulating boom lift (Cherry Picker) used on set as an elevated platform for heavy lighting rigs and crew.
A Condor is a self-propelled aerial work platform (colloquially known as a cherry picker or boom lift), originally from the construction and industrial sectors, used in film and TV production as a high, mobile platform for lighting and crew. The term is a brand name that has become generic: the manufacturer Condor (founded by John L. Grove, later JLG Industries) launched the first telescopic boom lifts in 1970. On set, "Condor" is now used generically for such mobile boom lifts, regardless of the actual manufacturer (JLG, Genie, etc.).
Unlike a scissor lift, which only lifts vertically and remains stationary after leveling, a Condor has a boom that can be positioned laterally and over obstacles—crucial on uneven terrain where the base doesn't need to be re-leveled for every minor adjustment.
Two main boom types are distinguished:
Lights are either mounted in a cage attached to the platform or via pipe rig/receiver adapters, or for heavy loads, additionally supported by a spreader bar strapped to the basket floor.
Specific heights and load capacities depend on the model. A common rule of thumb for load capacity among Key Grips:
| Operating Mode | Load Capacity (Basket) |
|---|---|
| Full Working Range | approx. 500 lb (~227 kg) |
| Restricted Range (Partial Arc) | up to approx. 1,000 lb (~454 kg) |
For night exterior shots, heights of around 12–18 m (40–60 ft) are common depending on requirements; for very large area illumination, significantly higher units (up to ~120 ft / ~37 m) are also used. Common light sources in this position include large-format units such as 20Ks, Dino/Maxi-Brute light banks, Nine-Lights, or 12K PAR arrays, often mixed in a checkerboard pattern.
The Condor provides a broad, even light base ("lights in the air") for night and large-area exterior shots, for example, as an artificial moon, street lighting, or background illumination. It is operated by a certified operator (condor/lamp operator) with a valid license and fall protection; positioning is done in close consultation between the camera department (DoP), the gaffer, the key grip, and the operator. Since load capacity, boom position, and wind interact critically for safety, careful weight calculation, safety chains, drop lines, and weather protection are standard practice.
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Diese professionelle Lösung erhöht die Produktionseffizienz und reduziert Post-Production-Anforderungen. Sie ermöglicht flexible, schnelle Anpassungen während des Drehs.
Als Gaffer ist dies ein unverzichtbares Werkzeug meines täglichen Handwerkszeugs. Es ermöglicht mir professionelle Lichtkontrolle und schnelle Anpassungen auf Set, was Zeit spart und Qualität sichert.
1. Zu welchem Department gehört „Condor-Lift"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.