Aputure LED spherical light with 360° light distribution, 300W, 5600K color temperature, and CRI 96+. Ideal for soft key light and practical lighting without heat generation.
The Space Light operates with a color temperature of 5600K (daylight) and achieves a CRI (Color Rendering Index) of 96+ and a TLCI of 97+. The LED arrays are evenly distributed within the translucent sphere and are controlled via DMX512 or wirelessly via Bluetooth. The unit consumes a maximum of 300 watts with an LED lifespan of 50,000 hours. The fixture body can be continuously dimmed (0-100%) and is attached via standard baby pins or Bowens mount.
Aputure introduced the Space Light in 2019 as an addition to the Nova series, responding to the growing demand for omnidirectional LED solutions. The development was based on experience with the larger Nova P300c and aimed to offer the practical aesthetic of a globe light without the drawbacks of traditional tungsten space lights. A revised version followed in 2021 with improved color consistency and expanded control options.
The Space Light is particularly suitable for even base lighting in interiors where harsh key light is to be avoided. DoPs often use it as a practical light in scenarios with lamps or chandeliers, as its spherical shape resembles natural light sources. In car scenes, it is frequently positioned inside the vehicle to cast soft, even light on all occupants. Its silent operation makes it ideal for sound recording, while its low heat output allows for longer takes without ventilation.
Unlike traditional space lights with tungsten bulbs, the LED model generates no significant heat and consumes considerably less energy. The Arri SkyPanel, as a light, offers more light output but without omnidirectional diffusion. Kinoflo Balloon Lights achieve similar light distribution but require more setup time and are less portable. For larger sets with higher lighting requirements, the Aputure Nova P600c remains the logical choice, while smaller productions often opt for the more compact Amaran range.
Ich schätze das Space Light besonders für Szenen, in denen ich weiches, gleichmäßiges Fill-Light brauche, ohne dass Lichtrichtung oder Schatten die Bildkomposition stören. Die 360-Grad-Abstrahlung gibt mir die Flexibilität, das Licht mitten im Set zu positionieren und trotzdem natürlich wirkende Ausleuchtung zu erzielen, besonders bei Gruppenszenen oder in engen Räumen.
Das Space Light hilft mir dabei, intime Atmosphäre zu schaffen, ohne dass die Schauspieler von harten Lichtquellen abgelenkt werden. In Gesprächsszenen kann ich es als praktisches Element einsetzen – es sieht aus wie eine normale Hängelampe, gibt aber professionelle Ausleuchtung und verstärkt die Glaubwürdigkeit der Szenerie.
Mit 300 Watt Verbrauch spare ich gegenüber traditionellen Space-Lights erheblich bei Stromkosten und Generatorkapazität. Der schnelle Auf- und Abbau reduziert die Beleuchtungszeit um etwa 30%, und die Langlebigkeit der LEDs eliminiert das Risiko von Leuchtmittelausfällen während kritischer Drehtage.
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