Cinematographer
Der ADR Mixer rettet Szenen mit unbrauchbarem O-Ton. Als Kameramann schätze ich diese Zusammenarbeit – manchmal ist ADR die einzige Lösung für Windgeräusche am Set.
Sound engineer who records and mixes ADR sessions – responsible for capturing dialogue replacement in sync with picture and matching production sound quality.
The ADR Mixer is the sound engineer who records and mixes ADR sessions (Automated Dialogue Replacement). They work with actors in the sound studio to re-record dialogue lines that were unusable on set.
| Task | Description |
|---|---|
| Recording | Recording new dialogue lines |
| Sync Monitoring | Checking lip-sync |
| Level Matching | Matching original audio levels |
| Performance Coaching | Supporting the actors |
| Quality Control | Checking each take |
| Skill | Description |
|---|---|
| Microphone Technique | Correct microphone choice and placement |
| Room Acoustics | Adapting to the scene's environment |
| Pro Tools | DAW expertise essential |
| Sync Tools | ADR software (VoiceQ, EdiCue) |
| Mixing | Live mixing during the session |
| Phase | Activity |
|---|---|
| Preparation | Cue sheet, microphone setup |
| Briefing | Context for actors |
| Loop Playback | Show scene, find rhythm |
| Recording | Multiple takes per line |
| Review | Check sync and performance |
| Backup | Save session |
| Device | Use |
|---|---|
| Shotgun Microphone | Sennheiser MKH416/60 for dialogue |
| Large Diaphragm | Neumann U87 for proximity |
| Headphones | For actors |
| Video Monitor | Sync reference |
| ADR Software | VoiceQ, EdiCue, Pro Tools |
| Outboard Gear | Preamps, compressors |
| Partner | Relationship |
|---|---|
| Director | Performance feedback |
| Dialogue Editor | Cue preparation |
| Actors | Direct collaboration |
| Re-Recording Mixer | Final mix |
| Supervisor | Quality control |
| Problem | Solution |
|---|---|
| Sync Issues | Wipe techniques, start cues |
| Room Matching | Reverb, EQ adjustment |
| Tired Actors | Breaks, motivation |
| Time Pressure | Efficient preparation |
| Emotional Scenes | Restoring context |
| Stage | Description |
|---|---|
| Assistant | Session preparation |
| Junior Mixer | Simple sessions |
| ADR Mixer | Full responsibility |
| Senior Mixer | Large productions |
| Supervisor | Department head |
| Service | Day Rate |
|---|---|
| Junior ADR Mixer | €350–500 |
| ADR Mixer | €500–800 |
| Senior ADR Mixer | €800–1,200 |
| Studio Costs | €500–1,500/day |
| Aspect | Description |
|---|---|
| Invisibility | ADR should not be noticeable |
| Sync | Perfect lip-sync |
| Matching | Sounds like original audio |
| Performance | Preserve emotion |
The ADR Mixer remains essential in post-production. Despite improved production microphones and noise reduction, ADR is often unavoidable – and a good ADR Mixer makes the difference between audible re-recording and invisible perfection.
Der ADR Mixer rettet Szenen mit unbrauchbarem O-Ton. Als Kameramann schätze ich diese Zusammenarbeit – manchmal ist ADR die einzige Lösung für Windgeräusche am Set.
Der ADR Mixer ist mein Partner bei der Dialog-Perfektion. Zusammen holen wir die beste Performance aus den Schauspielern – manchmal besser als am Set.
Ein erfahrener ADR Mixer spart Zeit und Geld. Effiziente Sessions bedeuten weniger Studio-Stunden und zufriedenere Schauspieler – das zahlt sich direkt aus.
1. Was beschreibt „ADR-Mischer" am besten?
2. Zu welchem Department gehört „ADR-Mischer"?
3. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.