Canon C500: Canon cinema camera with Super 35mm sensor capturing 4K/60fps and 2K/120fps, 13.5 stops dynamic range, Canon Raw output to external recorders.
Definition
The Canon EOS C500 is a professional digital cinema camera with a Super 35mm CMOS sensor (24.6 x 13.8 mm) that enables 4K recording at up to 60 fps and 2K at up to 120 fps. The sensor delivers a resolution of 4096 x 2160 pixels with a native ISO sensitivity of 850 and a maximum sensitivity of ISO 20,000. The body weighs 1,430 grams without lens and accessories.
Technical Details
The C500 records internally in Canon Raw format or as Apple ProRes 422 (HQ) to external recorders such as the Gemini 4:4:4 from Convergent Design. The rolling shutter sensor operates with 13.5 stops of dynamic range. The Canon EF mount allows the use of all Canon lenses with electronic aperture control. The camera offers three neutral density filters (ND 0.6, 1.2, 2.1) as well as various gamma curves, including Canon Log, for extended dynamic range. The 3.2-inch LCD monitor has a resolution of 1,230,000 pixels, while the two XLR inputs enable professional audio recording.
History & Development
Canon introduced the C500 in April 2012 as the flagship of the Cinema EOS series. It followed the C300 and was intended to bridge the gap between consumer DSLRs and broadcast cameras for the growing 4K demand. In 2014, the camera received a firmware update for internal 4K recording in Cinema Raw Light format. Canon replaced it in 2016 with the C500 Mark II, featuring improved Dual Gain Output and integrated 4K recording.
Practical Use in Film
Documentary filmmakers appreciate the C500 for its compact design combined with high image quality. The Canon Raw footage allows for extensive color correction in post-production, which is particularly advantageous for low-budget productions with limited lighting. However, the external recorder workflow requires additional equipment and makes the rig heavier. Compatibility with Canon lenses significantly reduces costs for existing Canon users.
Comparison & Alternatives
Compared to the RED Scarlet, the C500 offers simpler operation and lower data rates but does not achieve its 5K resolution. The Sony FS7, as a direct competitor, offers internal 4K recording, while the C500 relies on external recorders. Its successor, the C500 Mark II, integrates 4K recording and offers improved low-light performance. For pure HD productions, the more affordable C300 Mark II often remains the more economical choice.