Cinematographer
Tracking Dots müssen in meinem Bild klar erkennbar sein, ohne abzulenken. Die richtige Größe und Verteilung hängt von Brennweite und Bildausschnitt ab – zu wenige erschweren das Tracking, zu viele die Postproduktion.
Small colored dots or marks placed on green screens, sets, or actors to provide reference points for motion tracking in visual effects – enable software to calculate camera movement, object position, and 3D space reconstruction for CGI integration.
Tracking Dots are small markers on greenscreens, sets, or actors that serve as reference points for VFX software. They enable precise motion tracking and the correct placement of CGI elements in the image.
| Aspect | Description |
|---|---|
| Definition | Visual reference points |
| Purpose | Motion tracking |
| Material | Stickers, tape, paint |
| Removal | In post-production |
| Type | Usage |
|---|---|
| Screen Markers | On greenscreen |
| Set Markers | On set/props |
| Body Markers | On actors |
| Floor Markers | On the floor |
| Characteristic | Requirement |
|---|---|
| Color | High contrast |
| Size | Field of view dependent |
| Shape | Mostly round/cross-shaped |
| Matte | Non-reflective |
| Aspect | Specification |
|---|---|
| Color | Red, blue, yellow |
| Size | 2-5 cm diameter |
| Spacing | Regular grid |
| Number | At least 8-12 visible |
| Factor | Consideration |
|---|---|
| Framing | Enough dots in the frame |
| Depth | Different Z-planes |
| Distribution | Not too regular |
| Edges | Cover frame boundaries |
| Material | Pros/Cons |
|---|---|
| Stickers | Fast, reusable |
| Gaffer Tape | Flexible, adaptable |
| Tennis Balls | Wide shots, half balls |
| LED Dots | Visible in low light |
| Background | Dot Color |
|---|---|
| Green | Red, orange, blue |
| Blue | Red, orange, yellow |
| Black | White, reflective |
| White Set | Black |
| Focal Length | Dot Size |
|---|---|
| Wide Angle | Smaller |
| Normal | Standard |
| Telephoto | Larger |
| Close-up | Very large |
| Software | Tracking Method |
|---|---|
| PFTrack | Feature-based |
| SynthEyes | Automatic + manual |
| Nuke | 2D/3D Tracking |
| After Effects | Point tracking |
| Rule | Reason |
|---|---|
| Not on subject | Easier to remove |
| Irregular | No confusion |
| Different sizes | For depth information |
| Redundancy | In case some are occluded |
| Method | Effort |
|---|---|
| Keying | With greenscreen |
| Paint | Manual |
| Clone | Duplicate area |
| AI Tools | Automatic |
| Problem | Solution |
|---|---|
| Occlusion | Place more dots |
| Motion Blur | Larger dots |
| Reflection | Matte surface |
| Shadows | Adjust lighting |
| Person | Task |
|---|---|
| VFX Supervisor | Planning |
| Set Dec | Placement |
| Camera | Check visibility |
| Data Wrangler | Documentation |
| Element | Record |
|---|---|
| Layout | Sketch of positions |
| Distances | For 3D reconstruction |
| Reference Photos | Before/after |
| Notes | For VFX team |
Tracking dots remain a fundamental tool for VFX work, even as markerless tracking technologies advance. The combination of physical markers and software-based feature tracking yields the most reliable results. Careful planning and placement on set remain crucial for an efficient VFX workflow.
Tracking Dots müssen in meinem Bild klar erkennbar sein, ohne abzulenken. Die richtige Größe und Verteilung hängt von Brennweite und Bildausschnitt ab – zu wenige erschweren das Tracking, zu viele die Postproduktion.
Tracking Dots sind das Fundament für überzeugende VFX. Wenn die Punkte korrekt platziert sind, können die VFX-Artists ihre Arbeit präzise in meine Aufnahmen integrieren.
Gute Tracking-Dot-Platzierung am Set spart erheblich Zeit und Kosten in der Post. Schlechtes Tracking bedeutet teure manuelle Korrekturarbeit.
1. Zu welchem Department gehört „Tracking-Punkte / Trackingpunkte / Verfolgungspunkte"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.