Real-time digital previz using engines like Unreal Engine to simulate complete film sequences in 3D before principal photography.
Modern techviz systems operate with real-time render engines like Unreal Engine 4/5 or Unity, enabling frame rates of 60-120 fps at 1080p resolution. Output is standard in ProRes 422 or DNxHD codecs for integration into Avid Media Composer or DaVinci Resolve. Virtual cameras simulate real lenses with authentic focal lengths between 14mm and 200mm, including depth-of-field calculations and lens distortion effects. High-end systems utilize motion capture data with sampling rates of 120-240 fps for precise movement sequences.
George Lucas' Industrial Light & Magic developed early techviz approaches in 1993 for "Jurassic Park" to pre-test dinosaur interactions. The breakthrough came in 2009 with James Cameron's "Avatar," where the entire 162-minute film was digitally previsualized. Since 2015, VR headsets like Oculus Rift have enabled immersive exploration of virtual sets. Cloud-based systems like ShotGrid (formerly Shotgun) began integrating techviz workflows directly into pipeline management in 2018.
Marvel Studios uses techviz for 80% of all action sequences, reducing VFX costs by an average of 30%. For "1917" (2019), Roger Deakins planned all simulated one-take spotlight shots via techviz simulations before the first Steadicam tests began. Stunt coordinators use the system for crash sequences: the hospital destruction in "The Dark Knight" was digitally tested 47 times before the $2.3 million miniature set was blown up.
Techviz differs from classic storyboards through moving 3D cameras and physically accurate lighting. Compared to animatics, it offers photorealistic textures and accurate proportions. Traditional previs works with rough geometries, while techviz uses millimeter-accurate CAD data of sets and props. Virtual Production is increasingly replacing techviz with LED walls featuring real-time compositing, but remains limited to studios with a diameter of 20+ meters.
Ich verwende Techviz für komplexe Kamerafahrten mit Technocranes über 30 Meter Länge, um Kollisionspunkte vorab zu identifizieren. Das System zeigt mir exakt, welche Brennweiten bei welchen Positionen funktionieren und wo ich zusätzliche Scheinwerfer für gleichmäßige Ausleuchtung benötige. Besonders bei VFX-Shots spare ich damit 60% der Testaufnahmen am Set.
Techviz ermöglicht mir, emotional kritische Sequenzen bereits Wochen vor Drehbeginn mit verschiedenen Schnitt-Rhythmen zu testen. Ich kann Schauspieler-Blocking millimetergenau planen und alternative Kamerawinkel für Spannungsaufbau durchspielen. Das System hilft mir besonders bei Actionszenen, wo ich den emotionalen Impact verschiedener Kamerapositionen vergleichen muss.
Techviz reduziert meine VFX-Budgets um 25-40%, da teure Testshots entfallen und Änderungen bereits in der Preproduction erfolgen. Ein fünftägiger Techviz-Workshop kostet 80.000 Euro, spart aber durchschnittlich 300.000 Euro an Set-Zeit und Post-Production-Korrekturen. Besonders bei internationalen Co-Produktionen ermöglicht es Remote-Zusammenarbeit ohne physische Anwesenheit aller Departments.
1. Zu welchem Department gehört „Techviz"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.