Cinematographer
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Compact ellipsoidal spotlight (ERS) by ETC with plano-convex lens and HPL lamp (max. 575 W); compact version of the Source Four.
The Source Four jr (also "Source Four Junior" or "S4 jr") is an ellipsoidal reflector spotlight (ERS, colloquially "Leko") from the US manufacturer ETC (Electronic Theatre Controls). It is the more compact and more affordable version of the larger Source Four and uses the same basic technology of a dichroic reflector and ETC's characteristic HPL lamp. Like all profile spots, it produces a hard, sharply defined light field that can be shaped using four built-in shutters, as well as gobos and an iris diaphragm. It is a fixed profile spot, not a followspot.
| Feature | Specification |
|---|---|
| Manufacturer | ETC (Electronic Theatre Controls) |
| Device Type | Ellipsoidal Reflector Spotlight (ERS) |
| Light Source | HPL lamp, max. 575 W |
| Color Temperature | approx. 3050–3250 K (HPL, Halogen; 3250 K Standard, 3050 K Long-Life) |
| Fixed Beam Angles | 26°, 36°, 50° |
| Zoom Version | 25°–50° (Source Four jr Zoom) |
The fixed lens tubes are available in field angles of 26°, 36°, and 50°; in addition, there is a zoom version with a range of 25° to 50°. Unlike the large Source Four, the jr is not available with the narrow 19° or 14° tubes, making it unsuitable for very long throws.
The Source Four jr is used where a contourable, hard beam of light is required but space is limited: small stages, studios, trade show and event construction, as well as theater and TV applications. Gobos can be used to project patterns and textures, and the shutters allow for clean cutting of light at edges (e.g., to precisely define image borders, curtains, or backgrounds). Compared to the large Source Four, the jr is lighter and more compact, but offers fewer angle options and a slightly simpler shutter and housing design.
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Diese professionelle Lösung erhöht die Produktionseffizienz und reduziert Post-Production-Anforderungen. Sie ermöglicht flexible, schnelle Anpassungen während des Drehs.
Als Gaffer ist dies ein unverzichtbares Werkzeug meines täglichen Handwerkszeugs. Es ermöglicht mir professionelle Lichtkontrolle und schnelle Anpassungen auf Set, was Zeit spart und Qualität sichert.
1. Zu welchem Department gehört „Source Four Jr"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.