Cinematographer
Rubber Props erfordern sorgfältige Beleuchtung. Bei Nahaufnahmen kann das Material anders reflektieren als das Original, daher plane ich Close-ups mit echten Props und Medium Shots mit Rubber für Stunts.
Flexible foam or rubber replica of hard objects like weapons, tools, or furniture used in stunt sequences to prevent injury – crafted to look identical to real items on camera while being safe for contact, falls, and fight choreography.
A Rubber Prop is a flexible replica of a hard object made from foam or rubber, used in stunts. These props look identical to the original on camera but are safe for contact, impacts, and falls.
| Aspect | Description |
|---|---|
| Material | Foam/Rubber |
| Purpose | Safe Stunts |
| Appearance | Identical to Original |
| Property | Soft, Flexible |
| Material | Properties |
|---|---|
| Polyurethane Foam | Lightweight, moldable |
| Latex | Flexible, detailed |
| Silicone | Durable, realistic |
| EVA Foam | Robust, inexpensive |
| Category | Examples |
|---|---|
| Weapons | Swords, clubs |
| Tools | Hammers, axes |
| Furniture | Chairs for stunts |
| Everyday Objects | Bottles, telephones |
| Step | Description |
|---|---|
| 1. Sculpt | Create original form |
| 2. Mold | Create casting mold |
| 3. Cast | Pour foam/rubber |
| 4. Paint | Realistic painting |
| Aspect | Hero Prop | Rubber Prop |
|---|---|---|
| Detail | Highest | High for distance |
| Material | Realistic | Foam/Rubber |
| Usage | Close-ups | Stunts |
| Safety | Standard | Increased |
| Type | Specification |
|---|---|
| Swords | Core for stability |
| Knives | Soft blade |
| Guns | For impacts |
| Clubs | Full foam |
| Technique | Application |
|---|---|
| Base Coat | Primer |
| Weathering | Wear and tear |
| Metal Look | Foils, paints |
| Sealing | Protective layer |
| Consideration | Solution |
|---|---|
| Too Light | Core weights |
| Balance | Weight distribution |
| Handling | Like original |
| Momentum | Appropriate mass |
| Scenario | Usage |
|---|---|
| Fights | Impact weapons |
| Falls | Furniture |
| Hits | Thrown objects |
| Contact | Body contact |
| Aspect | Adjustment |
|---|---|
| Distance | Further away = Rubber OK |
| Close-up | Use Hero Prop |
| Motion | Fast movement = Rubber |
| Lighting | Surface reflection |
| Test | Description |
|---|---|
| Impact | Impact test |
| Flexibility | Bendability |
| Edges | No hard edges |
| Weight | Controllable |
| Task | Description |
|---|---|
| Cleaning | Gentle |
| Storage | Shape retention |
| Repair | For tears |
| Touch-up | Paint refresh |
| Element | Cost |
|---|---|
| Custom Mold | Initially high |
| Multiple Copies | Unit price decreases |
| Paint | Labor intensive |
| Maintenance | Ongoing |
| Aspect | Protocol |
|---|---|
| Labeling | Mark "Stunt" |
| Exchange | Communicate clearly |
| Storage | Separate from Hero |
| Props Team | Coordination |
| Practice | Reason |
|---|---|
| Multiple Copies | For damage |
| Clear Labeling | Avoid confusion |
| On-Set Testing | Confirm safety |
| Continuity | Matching to Hero |
Rubber Props are indispensable for safe action sequences. Material science has evolved to enable increasingly realistic and durable stunt props. The combination of highly detailed Hero Props for close-ups and Rubber Props for stunts allows for convincing and safe action scenes.
Rubber Props erfordern sorgfältige Beleuchtung. Bei Nahaufnahmen kann das Material anders reflektieren als das Original, daher plane ich Close-ups mit echten Props und Medium Shots mit Rubber für Stunts.
Rubber Props ermöglichen mir aggressive Kampfchoreographie ohne Verletzungsrisiko. Die Darsteller können volle Kraft einsetzen, was zu authentischerer Action führt.
Rubber Props sind eine Sicherheitsinvestition. Die Kosten für hochwertige Duplikate sind geringer als potenzielle Verletzungen, Verzögerungen oder Versicherungsprobleme.
1. Zu welchem Department gehört „Gummi-Requisite / Stunt-Requisite / Schaum-Requisite"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.