Cinematographer
Phantom ist der absolute Standard für High-Speed. Wenn du extreme Zeitlupe brauchst – Wassertropfen, Explosionen, Sport-Details – führt kein Weg an Phantom vorbei. Die Bildqualität bei 1.000+ fps ist unübertroffen.
American manufacturer of digital high-speed cameras (since 1950s). Vision Research produces the world's fastest digital cameras – up to 25,000+ fps in 4K. Industry standard for slow-motion in film, advertising, and science.
Phantom is the camera brand of Vision Research, an American manufacturer based in New Jersey. Since the 1950s, Vision Research has been developing high-speed cameras for science and industry – and since the 2000s, for the film industry as well. Phantom cameras are the industry standard for extreme slow motion, achieving frame rates of over 25,000 fps at 4K resolution.
| Year | Event |
|---|---|
| 1950 | Photographic Analysis Inc. (Predecessor) |
| 1992 | Vision Research founded |
| 2000s | Transition to digital high-speed cameras |
| 2007 | Phantom HD Gold – Breakthrough in film |
| 2014 | Phantom Flex4K – 4K at 1,000 fps |
| 2019 | Phantom TMX – Backside-Illuminated |
| 2021 | Acquired by AMETEK |
| Series | Target Audience | Max fps (at full resolution) |
|---|---|---|
| Flex4K | Film/Commercials | 1,000 fps @ 4K |
| v-Series | Universal | Up to 25,030 fps @ 1080p |
| TMX | Premium | 1,750 fps @ 4K |
| Miro | Compact | 1,500 fps @ 1080p |
| VEO | Scientific | 7,400 fps @ 1080p |
Slow Motion Factor = Recording fps / Playback fps
1,000 fps / 24 fps = 41.6x Slow Motion
10,000 fps / 24 fps = 416x Slow Motion| Problem | Phantom Solution |
|---|---|
| Enormous data rates | Specialized sensors |
| Lack of light at high fps | Large pixels |
| Heat generation | Active cooling |
| Memory speed | Internal RAM |
| fps | Data Rate (Uncompressed) |
|---|---|
| 24 | ~1 GB/s |
| 1,000 | ~42 GB/s |
| 10,000 | ~420 GB/s |
| Feature | ARRI 435 | Phantom Flex4K |
|---|---|---|
| Max fps | 150 | 1,000 (4K) |
| Medium | 35mm Film | Digital |
| Max Slow Motion | 6.25x | 41.6x (4K) |
| Resolution | 4K (Scan) | Native 4K |
| Production | Year | Phantom Model | Usage |
|---|---|---|---|
| Planet Earth II | 2016 | Flex4K | Animal movements |
| Mad Max: Fury Road | 2015 | Flex | Action sequences |
| The Matrix Resurrections | 2021 | TMX | Bullet-time |
| Top Gun: Maverick | 2022 | Flex4K | Jet sequences |
| Slow Mo Guys (YouTube) | 2010– | Various | YouTube channel |
High-speed requires massive amounts of light:
| fps | Exposure Time | Lighting Requirement |
|---|---|---|
| 24 | 1/48 s | Normal |
| 1,000 | 1/2,000 s | 40x more |
| 10,000 | 1/20,000 s | 400x more |
| Aspect | Details |
|---|---|
| Purchase Flex4K | ~€150,000–200,000 |
| Rental/Day | €3,000–5,000 |
| Operator | €800–1,500 |
| Lighting | Significant additional costs |
| Aspect | Details |
|---|---|
| Market Position | Global leader in high-speed |
| Main Competitors | Photron, Weisscam |
| Trend | More fps with better ISO |
| Future | More compact systems |
Phantom ist der absolute Standard für High-Speed. Wenn du extreme Zeitlupe brauchst – Wassertropfen, Explosionen, Sport-Details – führt kein Weg an Phantom vorbei. Die Bildqualität bei 1.000+ fps ist unübertroffen.
Phantom ermöglicht mir, Momente zu zeigen, die das menschliche Auge nie sehen könnte. Ein Punch in Zeitlupe, ein Kugeleinschlag, ein Kolibri-Flügelschlag – das sind die Bilder, die Zuschauer nie vergessen.
Phantom-Equipment ist teuer – 3.000-5.000 Euro pro Tag für eine Flex4K. Aber für bestimmte Shots gibt es keine Alternative. Die Frage ist immer: Brauchen wir wirklich 1.000 fps, oder reichen 120?
1. Was beschreibt „Phantom" am besten?
2. Zu welchem Department gehört „Phantom"?
3. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.