Cinematographer
Native ISO 800 ist mein Ausgangspunkt bei ARRI-Kameras. Hier bekomme ich die maximale Dynamik und die saubersten Bilder – alles andere ist Kompromiss.
Industry-standard base sensitivity for professional digital cinema cameras like ARRI ALEXA – the optimal ISO setting where the sensor delivers maximum dynamic range, cleanest image, and best signal-to-noise ratio without any digital gain or push/pull processing.
Native ISO 800 is the base sensitivity of many professional digital cinema cameras, particularly ARRI ALEXA. At this value, the sensor delivers optimal image quality with maximum dynamic range and minimal noise.
| Aspect | Description |
|---|---|
| Definition | Base sensitivity |
| Significance | Optimal operating point |
| Dynamic Range | Maximum |
| Noise | Minimum |
| Camera | Native ISO |
|---|---|
| ARRI ALEXA Classic | 800 |
| ARRI ALEXA Mini | 800 |
| ARRI ALEXA LF | 800 |
| ARRI ALEXA 35 | 800 |
| Factor | Description |
|---|---|
| Sensor Design | Optimized for this value |
| Dynamic Range | Maximum stops |
| Signal-to-Noise Ratio | Best ratio |
| Tradition | 500T film equivalent |
| Range | Stops |
|---|---|
| Above Middle Gray | ~7 stops |
| Below Middle Gray | ~7 stops |
| Total | ~14+ stops |
| Optimally Distributed | Yes |
| ISO | Effect |
|---|---|
| < 800 | Pull (less gain) |
| 800 | Native (optimal) |
| > 800 | Push (more gain) |
| Any Change | Compromise |
| Direction | Advantage | Disadvantage |
|---|---|---|
| Push (Higher) | More sensitivity | More noise |
| Pull (Lower) | Less noise | Less sensitivity |
| Native | Optimal | None |
| Situation | Typical Aperture |
|---|---|
| Sunny Day | T11-T16 (with ND) |
| Overcast | T4-T5.6 |
| Interior (Natural Light) | T2.8-T4 |
| Dimly Lit | T1.4-T2 |
| Setting | Footcandles (fc) |
|---|---|
| Bright Day | 10,000+ |
| Overcast | 1,000-5,000 |
| Interior | 50-200 |
| Low Key | 10-50 |
| Term | Description |
|---|---|
| ISO | Sensor sensitivity |
| EI | Exposure Index |
| On ARRI | EI is used |
| In Practice | Interchangeable |
| Step | Description |
|---|---|
| 1 | Start at ISO 800 |
| 2 | Set lighting accordingly |
| 3 | Use ND for daylight |
| 4 | Push only when necessary |
| ND | Aperture Stops | For |
|---|---|---|
| 0.3 | 1 Stop | Slightly overcast |
| 0.6 | 2 Stops | Overcast |
| 0.9 | 3 Stops | Bright day |
| 1.2 | 4 Stops | Sunny |
| Camera | Native ISO |
|---|---|
| ARRI | 800 |
| RED (Low) | 800 |
| Sony Venice (Low) | 500 |
| Blackmagic (Low) | 400 |
| System | Low | High |
|---|---|---|
| Sony Venice | 500 | 2500 |
| Panasonic VariCam | 800 | 5000 |
| Blackmagic | 400 | 3200 |
| ARRI | 800 (only) | — |
| Aspect | Description |
|---|---|
| Design Philosophy | One optimal point |
| Advantage | Consistent quality |
| Disadvantage | Less low-light flexibility |
| Solution | More light |
| Practice | Reason |
|---|---|
| Stay at 800 | Optimal quality |
| Adjust lighting | Instead of changing ISO |
| Push with caution | Quality degradation |
| Test if needed | For special looks |
Native ISO 800 is the gold standard in professional cinematography. ARRI has perfected this value, and despite dual-native ISO alternatives, the concept of an optimized base ISO remains relevant. For the best image quality, lighting designed for Native ISO is the preferred method.
Native ISO 800 ist mein Ausgangspunkt bei ARRI-Kameras. Hier bekomme ich die maximale Dynamik und die saubersten Bilder – alles andere ist Kompromiss.
Native ISO 800 bedeutet, dass das Lichtsetup entsprechend geplant werden muss. Die Bildqualität bei diesem ISO ist der Grund, warum wir ARRI wählen.
Native ISO 800 definiert den Lichtbedarf einer Produktion. Es beeinflusst Equipment-Listen und damit direkt das Beleuchtungsbudget.
1. Was beschreibt „Native ISO 800 / Basis-ISO 800 / EI 800" am besten?
2. Zu welchem Department gehört „Native ISO 800 / Basis-ISO 800 / EI 800"?
3. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.