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Lomo Super Speed
Camera · Lenses

Lomo Super Speed

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rainbow flare caustic flare veiling glare

The Lomo Super Speed 35mm is a Soviet prime lens from the early 1980s, originally built for Soviet film production and today rehoused into modern barrels by GL Optics.

1. Overview

The Lomo Super Speed 35mm is a Soviet prime lens from the early 1980s, originally built for Soviet filmmaking and now rehoused by GL Optics into modern mounts. With a T1.5 aperture, it belongs to the fastest class of vintage optics available and is internationally rented through rental houses.

2. Characteristics

Flare characteristics according to CINEFLARES datasheet:

  • Types: Rainbow, Caustic, Veiling
  • Colors: Blue, Purple, Yellow, Cyan, Amber
  • Intensity: Strong

Linked pattern entries:

3. Creative Use

The lens produces pronounced barrel distortion and, at wide open aperture, a soft, low-contrast look with noticeable corner softness—typical for Soviet optics of this era. The flare characteristics are strong and broad: rainbow artifacts, caustic refractions, and pronounced veiling in backlight are not exceptions but creative tools. Indie productions and music video teams turn to it when a recognizable vintage character is desired without sacrificing speed. The rehousing by GL Optics makes it rental-ready: standardized focus ring, /i Technology optional, reliable mechanics. In controlled studio environments, the flare can be used with precision; on locations with uncontrolled light sources, patience and a clear vision of what you want are required.

4. Specs Overview

FieldValue
ManufacturerLOMO (GL Optics rehoused)
TypePrime Super 35
Year1980
CountryUSSR
EraVintage
Focal Length (Reference Datasheet)35.0mm
T-Stop RangeT1.5 – T16.0
Squeeze1.0×
Weight0.9 kg / 2.0 lb
Close Focus0.25 m / 10"
DistortionBarrel

News

The Lomo Super Speed lenses are receiving increased attention within the cinematography community. Users report characteristic optical properties: at wide open aperture, the lenses exhibit a soft rendering with subtle blooming, while they become significantly sharper stopped down to T2-2.8. The 35mm, 50mm, and 75mm focal lengths, in particular, are frequently used in combination with modern digital cameras like the Arri Alexa Mini.

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