Cinematographer
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Lee 202 – color correction gel by Lee Filters that shifts tungsten light (3200K) halfway toward daylight (approx. 4300K); 'Half C.T. Blue'.
"Lee 202" is a conversion or color temperature gel (light gel, English: colour correction gel) from the British manufacturer Lee Filters. It is officially designated 202 Half C.T. Blue and thus belongs to the blue CTB series (Colour Temperature Blue), which makes warm artificial light cooler, i.e., "more like daylight." The gel is stretched in front of the light source – for example, in the filter frame of a spotlight, in barndoors, or as a cut sheet in front of LED or fluorescent panels.
The abbreviation "Half" indicates half the effectiveness compared to the full conversion gel 201 Full C.T. Blue. Within the CTB family, the 202 is thus positioned between full correction (201) and weaker gradations such as 1/4 CTB (203) or 1/8 CTB (218).
The 202 is typically used to adjust artificial light sources (Tungsten/Halogen, classically 3200K) to a cooler lighting mood without fully converting them to daylight. Common applications:
The gel can also be used in front of dimmable Tungsten fixtures; when dimmed, the lamp itself shifts warmer, effectively shifting the correction. Since the 202, like all blue gels, absorbs light, light loss must be factored in for corrections.
Values according to manufacturer Lee Filters (official filter data):
| Parameter | Value |
|---|---|
| Designation | 202 Half C.T. Blue |
| Manufacturer | Lee Filters (UK) |
| Function | Conversion Tungsten (3200K) → Daylight (approx. 4300K) |
| Mired Shift | -78 |
| Light Transmission (Y, Daylight Source C) | approx. 54.9 % |
Note: The exact final color temperature depends on the source; the indicated Mired shift value is the reliable, source-independent parameter for calculating the actual shift. The gel is available as a sheet as well as in various roll widths.
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Diese professionelle Lösung erhöht die Produktionseffizienz und reduziert Post-Production-Anforderungen. Sie ermöglicht flexible, schnelle Anpassungen während des Drehs.
Als Gaffer ist dies ein unverzichtbares Werkzeug meines täglichen Handwerkszeugs. Es ermöglicht mir professionelle Lichtkontrolle und schnelle Anpassungen auf Set, was Zeit spart und Qualität sichert.
1. Zu welchem Department gehört „Lee 202 (1/2 CTB)"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.