Cinematographer
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Magenta correction gel that removes green cast from fluorescent, discharge, and budget LED sources (approx. CC30 magenta).
"Full Minus Green" (also "Full Minusgreen") is a magenta-colored correction filter (gel) that is stretched in front of a light source to compensate for the green cast from fluorescent tubes, discharge lamps, and many inexpensive LED lights. Such sources have a green peak in their spectrum, which appears as an unpleasant green veil on film and sensor; the magenta of the filter is the complementary color to green and neutralizes this cast. "Full" denotes the full correction strength; in addition, partial strengths (1/2, 1/4, 1/8) exist for weaker green components.
The filter is not a single manufacturer's product but a standardized correction class offered by several manufacturers with nearly identical effects. Common codes are LEE 247 or Rosco E-Colour 247 ("Full Minus Green"), as well as Rosco Cinegel 3308 ("Tough Minusgreen") with a more heat-resistant, deep-dyed base.
The correction strength for all "Full" variants nominally corresponds to a CC30 magenta camera filter. The values vary slightly depending on the product line:
| Product | Code | Correction Equivalent | Transmission | Light Loss |
|---|---|---|---|---|
| LEE / Rosco E-Colour Full Minus Green | 247 | approx. CC30 Magenta | 59.1 % | approx. 0.8 stops |
| Rosco Cinegel Tough Minusgreen | 3308 | approx. CC30 Magenta | 55 % | approx. 0.9 stops |
Available forms are typically sheets (e.g., 21" x 24" or approx. 0.53 m x 0.61 m) and rolls (e.g., 48" x 25 ft or approx. 1.22 m x 7.62 m). The Cinegel series uses a deep-dyed, heat-resistant polymer base for use close to hot lights.
Since the filter costs approximately one stop of light, it is often placed directly on the source (e.g., as a sleeve over fluorescent tubes) or stretched in frames in front of the fixture. If "Full" correction is too strong, partial strengths are used; the counterpart "Plus Green" (green) is used to match daylight or artificial light sources to existing fluorescent light.
Aus DoP-Perspektive ist dieses Element essentiell für die visuelle Gestaltung. Es ermöglicht mir die gewünschte Farbstimmung und das ästhetische Bild konsistent umzusetzen.
Diese professionelle Lösung erhöht die Produktionseffizienz und reduziert Post-Production-Anforderungen. Sie ermöglicht flexible, schnelle Anpassungen während des Drehs.
Als Gaffer ist dies ein unverzichtbares Werkzeug meines täglichen Handwerkszeugs. Es ermöglicht mir professionelle Lichtkontrolle und schnelle Anpassungen auf Set, was Zeit spart und Qualität sichert.
1. Zu welchem Department gehört „Full Minus Green"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.