Cinematographer
Eterna war meine Alternative zu Kodak – feineres Korn, etwas kühlere Farben. Der Verlust dieser Option war ein Verlust für die Vielfalt im Analogfilm.
Fujifilm's professional motion picture negative film stock line – known for fine grain, natural skin tones, and excellent latitude, discontinued in 2013 but remains influential through Fuji's digital Eterna film simulation modes in their X-series cameras.
Fuji Eterna was Fujifilm's professional motion picture film line for motion picture production. Known for its fine grain and natural color reproduction, the stock was discontinued in 2013 – but lives on as a digital film simulation.
| Year | Development |
|---|---|
| 1934 | Fujifilm founded |
| 1950s | Motion picture film production |
| 2006 | Eterna line modernized |
| 2013 | Production discontinued |
| Type | ASA | Description |
|---|---|---|
| Eterna 250 | 250 | Standard Daylight |
| Eterna 400 | 400 | Low Light |
| Eterna 500 | 500 | Tungsten |
| Vivid | Various | Saturated Option |
| Characteristic | Value |
|---|---|
| ASA | 250 |
| Balance | Daylight |
| Grain | Very fine |
| Latitude | ~13 Stops |
| Characteristic | Value |
|---|---|
| ASA | 500 |
| Balance | Tungsten |
| Grain | Fine |
| Low Light | Excellent |
| Aspect | Description |
|---|---|
| Grain | Finer than Kodak |
| Color | Slightly cool |
| Skin Tones | Natural |
| Highlights | Gentle rolloff |
| Aspect | Fuji Eterna | Kodak Vision |
|---|---|---|
| Grain | Finer | More pronounced |
| Color | Cooler | Warmer |
| Contrast | Softer | Stronger |
| Latitude | Similar | Similar |
| Genre | Reason |
|---|---|
| Drama | Subtle colors |
| Period | Elegant look |
| Commercials | Clean aesthetic |
| Documentary | Naturalness |
| Film | DoP |
|---|---|
| Babel | Rodrigo Prieto |
| Letters from Iwo Jima | Tom Stern |
| The Last Samurai | John Toll |
| Element | Specification |
|---|---|
| Format | 35mm, 16mm |
| Base | ESTAR |
| Remjet | Standard |
| Process | ECN-2 |
| Aspect | Description |
|---|---|
| Process | ECN-2 Standard |
| Compatibility | All Labs |
| Push/Pull | Possible |
| Cross-Process | Not recommended |
| Factor | Description |
|---|---|
| Market | Digital dominance |
| Volume | Decreasing demand |
| Cost | Expensive to produce |
| Decision | Discontinued in 2013 |
| Aspect | Consequence |
|---|---|
| Monopoly | Kodak sole provider |
| Prices | Potentially higher |
| Variety | Reduced |
| Archive | Frozen stock |
| Aspect | Description |
|---|---|
| Manufacturer | Fujifilm X-Series |
| Name | ETERNA |
| Goal | Cinema look |
| Characteristic | Muted, cinematic |
| Characteristic | Description |
|---|---|
| Saturation | Reduced |
| Contrast | Soft |
| Highlights | Roll-off |
| Shadows | Lifted |
| Area | Influence |
|---|---|
| Digital | Film simulations |
| Grading | LUT references |
| Aesthetics | Influence on looks |
| Nostalgia | Collector's value |
| Option | Description |
|---|---|
| Kodak Vision3 | Sole manufacturer |
| Film Simulation | Digital emulation |
| LUTs | Eterna-inspired |
| Grading | Post-production look |
| Status | Description |
|---|---|
| New | Not available |
| Frozen Stock | Rare, expensive |
| Expired | Available, risky |
| Alternative | Kodak, Digital |
| Practice | Reason |
|---|---|
| Cool Storage | Shelf life |
| Test Rolls | With old stock |
| Lab Calibration | Consistency |
| Documentation | Note batch numbers |
Fuji Eterna no longer exists physically, but its influence lives on. The digital film simulation in Fuji cameras bears the name and attempts to emulate its characteristic look – a tribute to a film stock line that many miss.
Eterna war meine Alternative zu Kodak – feineres Korn, etwas kühlere Farben. Der Verlust dieser Option war ein Verlust für die Vielfalt im Analogfilm.
Eterna hatte einen eigenen Look – subtiler als Kodak, eleganter in gewisser Weise. Die digitale Filmsimulation versucht, diesen Charakter zu bewahren.
Als Eterna eingestellt wurde, verloren wir Konkurrenz im Filmstock-Markt. Kodak wurde zum Monopolisten – das hatte Auswirkungen auf Preise und Verfügbarkeit.
1. Zu welchem Department gehört „Fuji Eterna / Fujifilm Eterna"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.