Cinematographer
Delivery Specs beeinflussen, wie ich drehe. Wenn 4K-Delivery gefordert ist, brauche ich entsprechende Auflösung. HDR-Specs erfordern andere Belichtung.
Detailed technical requirements document specifying exact video, audio, and file format parameters for final deliverables – provided by distributors, broadcasters, or streaming platforms to ensure content meets their system requirements.
Delivery Specs (Delivery Specifications) are detailed technical documents that define all parameters for the final delivery of media content. Every distributor, broadcaster, or streaming service has its own specs that must be adhered to precisely.
| Parameter | Example Values |
|---|---|
| Resolution | 3840×2160, 1920×1080 |
| Framerate | 23.976, 25, 29.97 fps |
| Codec | ProRes 4444, DNxHR |
| Bit Depth | 10-bit, 12-bit |
| Color Space | Rec.709, Rec.2020 |
| Parameter | Example Values |
|---|---|
| Sample Rate | 48kHz |
| Bit Depth | 24-bit |
| Channel Layout | 5.1, 7.1, Atmos |
| Loudness | -24 LUFS (EBU) |
| True Peak | -1 dBTP |
| Platform | Specifics |
|---|---|
| Netflix | 4K HDR, Dolby Vision |
| Amazon | IMF-based |
| ARD/ZDF | EBU R128, HD |
| RTL | Broadcaster-specific |
| Cinema (DCP) | SMPTE, JPEG2000 |
| Parameter | Values |
|---|---|
| Standard | HDR10, Dolby Vision, HLG |
| Luminance | 1000–4000 nits |
| EOTF | PQ, HLG |
| Metadata | Static or Dynamic |
| Element | Requirement |
|---|---|
| Luminance | 16–235 (8-bit) |
| Chroma | Legal Range |
| Loudness | -23 LUFS (±1) |
| True Peak | -1 dBTP |
| Parameter | Example |
|---|---|
| Container | MXF, MOV |
| Wrapper | OP1a, OP-Atom |
| Timecode | Drop-Frame, Non-Drop |
| Metadata | Embedded |
| Aspect | Description |
|---|---|
| Mezzanine | Highest Quality |
| IMF | Interoperable Master |
| Adaptive Streaming | Multiple Bitrates |
| ABR | Adaptive Bitrate |
| Region | Standard |
|---|---|
| Europe (EBU) | R128, -23 LUFS |
| USA (ATSC) | A/85, -24 LKFS |
| Streaming | Varies |
| Cinema | 85 dB (Leq) |
| Parameter | Requirement |
|---|---|
| Format | SRT, TTML, EBU-TT |
| Timing | Frame-accurate |
| Positioning | Safe Area |
| Font | Specified |
| Check | Tolerance |
|---|---|
| Video Level | 0–3% Exceedance |
| Audio Peaks | None over limit |
| Sync | <1 Frame |
| Black/Silence | 2s at start/end |
| Element | Specification |
|---|---|
| CPL | Composition Playlist |
| OPL | Output Playlist |
| Assets | MXF-wrapped |
| Versioning | Supplemental Packages |
| Element | Specification |
|---|---|
| Video | JPEG2000, 24/48fps |
| Audio | PCM, 48/96kHz |
| Encryption | AES-128 |
| KDM | Key Delivery Message |
| Error | Consequence |
|---|---|
| Luminance > Legal | QC Fail |
| Audio Clipping | Rejection |
| Incorrect Framerate | Re-encoding |
| Missing Metadata | Resubmission required |
| Type | Source |
|---|---|
| Official Specs | Platform Website |
| Tech Specs PDF | From the buyer |
| Content Hub | Online Portal |
| Delivery Guide | Detailed Instructions |
| Step | Timing |
|---|---|
| Read Specs | Before Post-Start |
| Clarification | When unclear |
| Setup | Adjust post-pipeline |
| Test Delivery | Before final |
| Challenge | Solution |
|---|---|
| Different Specs | Multiple Masters |
| Spec Updates | Check regularly |
| Interpretation | Ask directly |
| Edge Cases | Remain conservative |
Delivery specs are becoming increasingly complex with HDR, Atmos, and IMF. Professional post-production houses have dedicated teams solely focused on spec compliance – because a QC fail costs time, money, and can jeopardize release dates.
Delivery Specs beeinflussen, wie ich drehe. Wenn 4K-Delivery gefordert ist, brauche ich entsprechende Auflösung. HDR-Specs erfordern andere Belichtung.
Delivery Specs sind technische Rahmenbedingungen. Ich muss wissen, ob mein kreativer Look innerhalb der Specs möglich ist oder angepasst werden muss.
Delivery Specs sind vertraglich bindend. Nicht-Einhaltung bedeutet Ablehnung und Nacharbeit – beides kostet Zeit und Geld.
1. Zu welchem Department gehört „Liefervorschriften / Delivery-Specs / Technische Spezifikationen"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.