Blackmagic Pocket Cinema Camera — line of compact cinema cameras (Original 2013, 4K 2018, 6K 2019, 6K Pro 2021 with internal ND, 6K G2 2022). Up to 13 stops dynamic range, dual ISO, Blackmagic RAW; the internal ND system is exclusive to the 6K Pro.
Blackmagic Design introduced the first Pocket Cinema Camera at NAB in 2013, aiming to democratize cinema-quality for $995. The 4K version with a larger MFT sensor followed in 2018, and the 6K variant with an EF mount and Super35 sensor in 2019. The 6K Pro from 2021 added internal ND filters (2, 4, 6 stops), improved battery technology, and professional XLR audio inputs. Each generation systematically lowered the barrier to entry for RAW workflows.
Independent productions like "The Jungle Book: Origins" utilized early Pocket models for second-unit shots and action sequences. Its compact form factor enables gimbal use, car rigs, and crash cams without compromising quality. The native Blackmagic RAW codec integrates seamlessly into DaVinci Resolve workflows. Typical applications include documentary work, music videos, and low-budget feature films where the price-performance ratio is crucial.
Unlike the professional URSA series, the Pocket lacks XLR connections (except for the 6K Pro) and professional monitoring outputs. Direct competitors include the Sony FX30, Canon EOS R5C, and Panasonic GH6. The Pocket excels with its affordably priced RAW recording and DaVinci Resolve integration, while Sony and Canon offer superior autofocus systems. For pure content creation, mirrorless cameras are better suited, but for narrative workflows with intensive color grading, the Pocket remains unbeatable.
| Parameter | Value |
|---|---|
| Sensor Type | Super35 CMOS |
| Resolution | 6,144 x 3,456 pixels (6K) |
| Sensor Size | ~21 Megapixels |
| Sensor Format | 17:9 Aspect Ratio |
| Lens Mount | Canon EF (6K Pro) / MFT (4K Models) |
Dynamic Range: 13 stops
Native ISO: 400 / 3,200 ASA (Dual Native ISO)
Extended ISO Range: 50 – 25,600 ASA
Noise Performance: Identical noise characteristics in both native modes
| Resolution | Maximum Frame Rate | Format |
|---|---|---|
| 6K (6,144 x 3,456) | 50 fps | 17:9 |
| 6K (6,144 x 2,560) | 60 fps | 2.4:1 Cinemascope |
| 5.7K (5,744 x 3,024) | 60 fps | 17:9 |
| 4K DCI (4,096 x 2,160) | 60 fps | 17:9 |
| UHD (3,840 x 2,160) | 60 fps | 16:9 |
| HD (1,920 x 1,080) | 120 fps | 16:9 |
Blackmagic RAW: 3:1, 5:1, 8:1, 12:1 compression (12-bit)
Apple ProRes: ProRes 422 HQ, 422, 422 LT, 422 Proxy
H.264: for quick review and proxy footage
Storage Media: CFast 2.0 internal, SD/UHS-II internal, USB-C external (SSD)
Standard Frame Rates: 24 | 25 | 29.97 | 30 | 50 | 59.94 | 60 fps
High Speed: up to 120 fps at reduced resolution (HD)
Rolling Shutter: ~10 ms at 24 fps
Timecode: BNC input, internal generator
Lens Mount: Canon EF Mount (6K Pro), MFT Mount (4K Models)
Autofocus: Passive AF (Canon EF compatibility), contrast-based AF possible
ND Filters (6K Pro internal): 2 stops, 4 stops, 6 stops
OLPF Options: With or without Optical Low Pass Filter
Form Factor: Compact handheld camera with ergonomic design
Weight: ~1.2 kg (6K Pro without lens/battery)
Dimensions: 189 x 110 x 146 mm
Material: Aluminum/magnesium body, rubberized grips
Battery: Canon LP-E6 Series (LP-E6, LP-E6N)
Runtime: 1-1.5 hours under normal operation
External Power: 12V via 2.1mm connector or USB-C
USB-C: Power Delivery (USB-PD) for external charging
Audio Inputs (6K Pro): 2x Mini-XLR (3-pin), phantom power switchable
Monitoring LCD: 5-inch capacitive touchscreen, 1,500 cd/m²
Brightness: HDR adjustment for outdoor shooting
HDMI Output: Full HD monitoring, Video Out (ProRes proxy simultaneously)
Included Software: DaVinci Resolve Studio (6K Pro)
Color Space: Blackmagic Gen 5 Color Science
Shutter Angle: Electronically adjustable
The Blackmagic Pocket 6K Pro continues to receive regular firmware updates, particularly improving low-light performance. Accessory manufacturers like Tilta and SmallRig have optimized their rigging systems specifically for the BMPCC series, offering modular, lightweight solutions. The camera thus remains a sought-after option for independent filmmakers and documentary productions.
Ich schätze die natürlichen Hauttöne und den Dynamikumfang, besonders in den Schatten - das RAW-Material lässt mir enormen Spielraum beim Grading. Der MFT-Mount der 4K-Version erweitert meine Objektiv-Optionen erheblich, während die 6K-Version mit EF-Mount meine bestehende Glas-Sammlung optimal ausnutzt.
Die diskrete Größe der Pocket ermöglicht mir authentische Reaktionen bei dokumentarischen Elementen und intimere Szenen ohne technische Barrieren zwischen mir und den Schauspielern. Der günstige Anschaffungspreis erlaubt mir mehrere Kameras für komplexe Multi-Cam-Setups oder risikoreiche Stunts ohne Budget-Explosionen.
Bei 2.500 Euro für die 6K-Version erhalte ich Cinema-Quality für einen Bruchteil traditioneller Kamerapakete - inklusive bereits lizenzierter DaVinci Resolve Studio-Version im Wert von 300 Euro. Die kompakte Bauform reduziert Transport- und Versicherungskosten erheblich, während ich dennoch broadcast-taugliches Material für Verkäufe an Streaming-Plattformen liefere.
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