Cinematographer
Der ARRISCAN holt alles aus dem Negativ – jedes Detail, jeden Blendenstufe. Für Film-Projekte ist er der Standard, um die volle Qualität zu digitalisieren.
ARRI's high-end film scanner that digitizes motion picture negatives – captures up to 6K resolution with exceptional dynamic range for restoration and DI workflows.
The ARRISCAN is ARRI's professional film scanner, which transfers analog recorded material into high-resolution digital files. It is known for exceptional image quality, high resolution, and precise color reproduction.
| Parameter | ARRISCAN XT |
|---|---|
| Max. Resolution | 6K |
| Formats | 16mm, 35mm, 65mm |
| Sensor | 3-Chip RGB |
| Dynamic Range | 14+ Stops |
| Color Depth | 16-bit per channel |
| Speed | Up to 15 fps (4K) |
| Registration | Pin-Registration |
| Model | Focus |
|---|---|
| ARRISCAN XT | Current flagship |
| ARRISCAN Archive | Archive-optimized |
| ARRISCAN | Classic version |
| Component | Function |
|---|---|
| LED Light Source | Uniform illumination |
| Pin Registration | Precise frame positioning |
| 3-Chip CCD | Simultaneous RGB capture |
| Wet-Gate Option | Scratch minimization |
| Sprocket Scan | Perforation area |
| Use | Description |
|---|---|
| Digital Intermediate | Film-to-digital for post-production |
| Restoration | Digitizing archive films |
| Archiving | Preservation masters |
| VFX Integration | Film plates for compositing |
| Re-Releases | Remastering classics |
| Option | Description |
|---|---|
| 2K | Standard for broadcast |
| 4K | Cinema standard |
| 6K | Maximum, for 65mm/archive |
| HDR | Extended dynamic range |
| Wet-Gate | Liquid scan |
| Phase | Activity |
|---|---|
| Preparation | Clean, inspect negative |
| Setup | Select resolution, format |
| Test Scan | Check exposure, color |
| Scan | Frame-by-frame |
| QC | Quality control |
| Output | DPX, EXR, or ARRIRAW |
| Aspect | ARRISCAN | Scan Station |
|---|---|---|
| Resolution | Up to 6K | Up to 8K |
| Speed | Moderate | Faster |
| Registration | Excellent | Good |
| Wet-Gate | Optional | Often not available |
| Price | Premium | Varies |
| Format | Usage |
|---|---|
| DPX | Standard for DI |
| EXR | VFX workflows |
| TIFF | Archiving |
| ARRIRAW | ARRI ecosystem |
| Service | Price |
|---|---|
| 4K Scan/ft | €0.30–0.60 |
| 6K Scan/ft | €0.50–1.00 |
| Wet-Gate | +30–50% |
| Cleaning | Variable |
| Feature (90 min) | €15,000–40,000 |
| Facility | Location |
|---|---|
| ARRI Media | Munich, Berlin |
| FotoKem | Los Angeles |
| Cinelab | London |
| L'Immagine Ritrovata | Bologna |
| Cineric | New York |
| Advantage | Description |
|---|---|
| Quality | Reference standard |
| Registration | Minimal flicker |
| Consistency | Shot-to-shot |
| ARRI Integration | Seamless workflow |
The ARRISCAN remains the gold standard for professional film scanning. For DI workflows, restorations, and archive projects, it delivers the quality that honors the analog medium – every frame a digital work of art.
Der ARRISCAN holt alles aus dem Negativ – jedes Detail, jeden Blendenstufe. Für Film-Projekte ist er der Standard, um die volle Qualität zu digitalisieren.
ARRISCAN-Scans zeigen mir, was wirklich im Negativ ist. Für Restaurierungen oder neue Grades von altem Material ist diese Präzision unersetzlich.
ARRISCAN-Scans sind Premium, aber für wertvolles Material lohnt sich die Investition. Einmal richtig gescannt, hält das Master ein Leben lang.
1. Zu welchem Department gehört „ARRISCAN"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.