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Sigma FF High Speed Prime
Camera · Equipment

Sigma FF High Speed Prime

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anamorphic lens anamorphic projection lens angenieux optimo prime arri master prime arri signature prime arri ultra prime arri zeiss variable prime atlas lens co

Fast Sigma full-frame prime lenses with apertures around T1.5, designed for low-light shooting and shallow depth of field.

Technical Details

Focal Lengths

14162024355085135
T1.5T1.5T1.5T1.5T1.5T1.5T1.5T1.5
0.28m0.32m0.35m0.40m0.52m0.70m1.15m1.85m
1.18kg1.22kg1.26kg1.34kg1.52kg1.68kg1.88kg1.95kg
9595959595959595
92°85°72°62°43°30°18°12°
◀━━━━━▶◀━━━━▶◀━━━▶◀━━━▶◀━━▶◀━▶◀▶◀▶

PL/EF · 95mm Front · 300° Focus Travel · T1.5 · Full Frame

History & Development

Sigma announced the Cinema line in 2016 at NAB, building on the success of their Art photography lenses. The first focal lengths (20mm, 24mm, 35mm, 50mm, 85mm) were released in 2017, followed by the 135mm in 2018. Unlike more expensive cinema series like Zeiss Master Prime or Cooke S4i, Sigma consciously positioned these lenses in the mid-price segment, ranging from 3,500 to 4,500 Euros per lens. In 2019, Sigma expanded the offering with zoom lenses and additional focal lengths.

Practical Use in Film

The constant T1.5 aperture allows for extreme low-light shooting without ISO compromises and produces pronounced bokeh on full-frame sensors for portrait shots. DoPs appreciate the consistent color rendition across the series, enabling seamless focal length changes without color matching. The lenses are particularly suitable for available-light documentaries, music videos, and commercials. Netflix productions like "Dark" have utilized Sigma Cinema Primes for night scenes. Their comparatively moderate price makes them attractive for independent productions and smaller production companies.

Comparison & Alternatives

Compared to Zeiss CP.3 (T2.1) or Canon Sumire (T1.3-T2.4), the Sigma lenses offer a consistent T1.5 at a lower cost. Cooke S4i lenses achieve T2.0-T22 but cost two to three times as much. ARRI Signature Primes open up to T1.8 but are priced significantly higher. The Sigma series positions itself between consumer photo lenses with cinema adapters and high-end cinema glass, offering professional mechanics and optical quality for budget-conscious productions.

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