The reflex version of the legendary BNC (1967) – finally allowing view through the lens during recording. The last major Mitchell innovation before Panavision took over the company and developed the Panaflex.
What is the Mitchell BNCR?
The Mitchell BNCR (1967) – the "R" stands for Reflex – was the modernized version of the legendary BNC with a reflex viewfinder. This last major innovation from Mitchell enabled viewing through the taking lens during recording for the first time and became the technical foundation for the later Panavision Panaflex.
Technical Specifications
| Feature | Value |
|---|---|
| Format | 35mm (4-perf) |
| Weight | ~38 kg (complete) |
| Shutter | Reflex, 175° |
| Frame Rate | 4–36 fps |
| Viewfinder | Reflex |
| Mount | BNCR Mount (later PL base) |
| Magazines | 120m / 300m / 600m |
Key Features
- Reflex Viewfinder – Viewing through the lens
- Self-blimped – Quiet like the BNC
- Dual-Pin Registration – Legendary steadiness
- BNCR Mount – Modernized bayonet
- Compatibility – BNC magazines usable
- VFX Precision – Like the original BNC
BNC vs. BNCR
| Feature | BNC (1932) | BNCR (1967) |
|---|---|---|
| Viewfinder | Rack-over | Reflex |
| Framing | Before shooting | During shooting |
| Focusing | Focus measurement | Live through lens |
| Weight | ~40 kg | ~38 kg |
| Noise | Quiet | Quiet |
| Picture Stability | Excellent | Excellent |
The Reflex Revolution
The Problem with the BNC
- Rack-over system time-consuming
- No live framing possible
- Focus had to be measured
- Parallax issues with close-ups
The BNCR Solution
BNC (RACK-OVER): BNCR (REFLEX):
[Viewfinder] [Lens] [Mirror] → [Viewfinder]
| | |
Eye Film [Lens]
|
Film- 180° mirror directs light to the viewfinder
- During shutter opening: light to film
- During shutter closing: light to viewfinder
- Live image during the entire recording
Notable Films
| Film | Year | DP | Significance |
|---|---|---|---|
| 2001: A Space Odyssey | 1968 | Geoffrey Unsworth | VFX Masterpiece |
| Butch Cassidy and the Sundance Kid | 1969 | Conrad Hall | Oscar for Cinematography |
| The Godfather | 1972 | Gordon Willis | (partially) |
| Chinatown | 1974 | John A. Alonzo | Noir Revival |
| One Flew Over the Cuckoo's Nest | 1975 | Haskell Wexler | Oscar for Film |
2001: A Space Odyssey (1968)
The BNCR played a key role in Kubrick's masterpiece:
Why BNCR?
- Excellent picture stability – Critical for VFX
- Reflex viewfinder – Precise framing
- Dual-pin registration – Multiple exposures
- Reliability – Long production time
VFX Work
- Front projection
- Matte paintings
- Model shots
- Slit-scan (Stargate sequence)
The BNCR Mount
The BNCR Mount became an important standard:
| Aspect | Details |
|---|---|
| Design | Modernized bayonet |
| Flange depth | Identical to later PL |
| Influence | Basis for PL mount development |
| Lenses | Zeiss, Cooke, etc. |
Significance for Panavision
- BNCR mount design adopted
- Further developed into Panaflex mount
- Compatibility line continued
The Panavision Acquisition (1968)
Timeline
| Year | Event |
|---|---|
| 1967 | BNCR Market Launch |
| 1968 | Panavision buys Mitchell |
| 1972 | Panaflex (based on BNCR) |
| 1970s | Mitchell production ceased |
What Panavision Acquired
- Mitchell precision manufacturing
- BNCR technology
- Employee know-how
- Mount design (for Panaflex)
BNCR vs. Competition (1967)
| Camera | Weight | Viewfinder | Noise |
|---|---|---|---|
| Mitchell BNCR | ~38 kg | Reflex | Quiet |
| Mitchell BNC | ~40 kg | Rack-over | Quiet |
| ARRI BL | ~7 kg | Reflex | Quiet |
| Arriflex 35 IIC | ~5 kg | Reflex | Loud |
| Eclair Cameflex | ~4 kg | Reflex | Moderate |
Problem: The BNCR was technically excellent, but too heavy for the new era of mobile cameras.
Typical Configurations
Studio Dialogue
- BNCR Body
- 300m Magazine
- Cooke Speed Panchro
- Mitchell Tripod Head
- Weight: ~48 kg complete
VFX Work
- BNCR Body
- 600m Magazine
- Precision Lens
- Registration verified
- Weight: ~52 kg complete
High Speed
- BNCR Body
- High-Speed Motor
- 120m Magazine
- Up to 128 fps
- Weight: ~42 kg complete
Why the BNCR Came Too Late
1967: The World Had Changed
- Arri BL offered Reflex + Lightweight
- Eclair NPR revolutionized documentaries
- New aesthetic: Handheld, mobile
- BNCR was perfect – but too heavy
The Dilemma
| BNCR Advantage | Problem |
|---|---|
| Best picture stability | 38 kg |
| Quietest Reflex | Not handheld |
| VFX Precision | Tripod-bound |
| Proven technology | Outdated concept |
The Legacy
In Panavision's DNA
- Panaflex based on BNCR concepts
- Mount design continued
- Precision standards adopted
For VFX
- BNCR picture stability remained the benchmark
- Standard for effects work until the digital era
- Kubrick's legacy
Today
- Collectors – Rare and sought after
- Museums – Film history
- Special productions – Period-authentic
- VFX history – 2001 reference
| Aspect | Details |
|---|---|
| Used price | €10,000–€25,000 |
| Availability | Very rare |
| Service | Extremely limited |
| Spare parts | Custom-made |