Collapsible black frame with light-absorbing fabric that precisely shapes and controls hard light. Weighs 0.8–1.5 kg, folds to 30% of size.
Technical Details
The frame is made of lightweight aluminum or carbon fiber, weighing 0.8-1.5 kg depending on size. The fabric is typically made of matte black Duvetyne or Commando Cloth, which absorbs 99.5% of incident light. The folding mechanism allows it to be collapsed to about 30% of its original size. Larger variants (48x48 inches, 122x122 cm) use reinforced corner connections with spring steel elements. Fabric tension can be adjusted via Velcro fasteners or grommets.
History & Development
Floppies evolved in the 1970s from the rigid flags of the studio era, as mobile film productions required more flexible solutions. Matthews Studio Equipment introduced the first mass-produced floppy system in 1978. In 1985, Chimera expanded the concept with faster setup mechanisms. Modern LED lighting has, since 2010, increased the importance of precise light shaping, as point-source LED lights create harder shadows.
Practical Use in Film
On "Blade Runner 2049" (2017), Roger Deakins systematically used 24x36-inch floppies to shape the harsh neon light. Typical workflow: positioning 0.5-2 meters in front of the subject, alignment via the built-in tilt arm. Advantage: quick setup and breakdown (under 60 seconds), low transport volume. Disadvantage: susceptibility to wind in exterior shots from Beaufort force 3 upwards, limited size compared to permanently stretched frames.
Comparison & Alternatives
Floppies differ from flags by their flexible fabric covering and from cutters by their complete light absorption rather than diffusion. Solid flags offer larger dimensions but are more transport-intensive. Digital Intermediate grading can achieve similar effects, but without the natural light shaping on set. For budget-limited productions, DIY solutions with PVC pipes and molton are increasingly replacing commercial systems.