Overview
Nucoda is professional software for color correction (color grading), finishing, and mastering used in film and TV post-production. It covers the so-called Digital Intermediate (DI) process – the step between image capture and the final master, where image looks are set, scenes are color-matched, and final delivery files are created.
Nucoda is currently developed and distributed by Filmworkz. The product originally comes from Digital Vision and has a long development history in digital image processing. The system is not lighting or grip equipment, but purely post-production technology – work on set ends where Nucoda begins.
Functionality and Tools
Nucoda's color architecture is layer-based: corrections are built up in any number of overlapping color layers, combined with isolation tools such as masks, keyers, and shapes, to process individual image areas separately.
- Unlimited color layers with GPU-accelerated color tools per layer
- Isolation tools: masks, keyers, and geometric shapes
- Support for OFX plug-ins
- Connection to control panels, including those from Tangent
- Integration of DVO Tools (Digital Vision Optics) for restoration, noise reduction, and image repair – combined with Nucoda color tools in Filmworkz's restoration platform Phoenix
Workflows and Mastering
Nucoda is designed for modern delivery requirements and supports classic SDR workflows as well as HDR workflows.
- HDR Grading and mastering for Dolby Vision
- ACES color management workflow
- Netflix Post Technology Alliance partner status (qualified for Netflix supply chains)
- Mastering and deliverable creation for cinema, broadcast, and streaming
On-Set Context
For on-set work, Nucoda is primarily indirectly relevant: looks, color decisions, and exposure intentions determined on set (e.g., via LUTs or on-set color) are finally implemented in the grading suite with Nucoda. Those planning lighting and on-set looks should understand that color and contrast decisions are further refined in the DI phase with such systems – however, the foundation for this must already be laid by clean lighting and correct exposure on set.