Cinematographer
Vision3 200T ist mein Kompromiss zwischen Speed und Qualität bei Tungsten. Feineres Korn als 500T, mehr Empfindlichkeit als 50D – perfekt für kontrollierte Interiors.
Kodak's medium-speed tungsten-balanced color negative motion picture film stock (5213/7213) with 200 ISO sensitivity – offering exceptional color rendering, fine grain, and wide dynamic range for interior and mixed-lighting cinematography, balancing speed with image quality.
What is Kodak Vision3 200T?
Kodak Vision3 200T (5213/7213) is a tungsten-balanced color negative film with an ISO sensitivity of 200. It offers a balanced combination of speed, grain structure, and dynamic range for interior cinematography.
Technical Specifications
| Property | Specification |
|---|---|
| Type | Color Negative |
| Product Code | 5213 (35mm), 7213 (16mm) |
| Sensitivity | 200 ISO |
| Balance | 3200K Tungsten |
Position in the Vision3 Family
| Stock | ISO | Balance |
|---|---|---|
| 50D | 50 | Daylight |
| 250D | 250 | Daylight |
| 200T | 200 | Tungsten |
| 500T | 500 | Tungsten |
Sensitivity
| Condition | ISO |
|---|---|
| Tungsten 3200K | 200 |
| Daylight | 125 (with 85 filter) |
| Push +1 | 400 |
| Push +2 | 800 |
Characteristics
| Aspect | Description |
|---|---|
| Grain | Fine to medium |
| Colors | Rich, saturated |
| Latitude | ~14+ Stops |
| Sharpness | High |
Color Rendition
| Range | Description |
|---|---|
| Skin Tones | Warm, flattering |
| Shadows | Detail-rich |
| Highlights | Smooth roll-off |
| Saturation | Controlled |
Ideal Applications
| Situation | Suitability |
|---|---|
| Interior | Primary use |
| Night | With lighting setup |
| Mixed Light | With correction |
| Exterior Day | With 85 filter |
Comparison 200T vs. 500T
| Aspect | 200T | 500T |
|---|---|---|
| ISO | 200 | 500 |
| Grain | Finer | Coarser |
| Lowlight | More light needed | More flexible |
| Sharpness | Higher | Good |
Processing
| Aspect | Standard |
|---|---|
| Process | ECN-2 |
| Labs | All film labs |
| Temperature | Standard |
| Push/Pull | Possible |
Exposure
| Situation | Recommendation |
|---|---|
| Normal | Native 200 ISO |
| Overexpose | +1/2 to +1 stop recommended |
| Shadows | Expose generously |
| Highlights | Utilize latitude |
Available Formats
| Format | Product Code |
|---|---|
| 35mm | 5213 |
| 16mm | 7213 |
| Super 16 | 7213 |
| 65mm | On request |
Notable Productions
| Aspect | Reality |
|---|---|
| Features | Regularly used |
| Commercials | Studio work |
| Music Videos | Interior looks |
| Mixed | With other stocks |
Combining with Other Stocks
| Scenario | Recommendation |
|---|---|
| Interior/Exterior | 200T + 250D |
| Day/Night | 200T + 500T |
| Matching | Same family |
| Grade | Consistent possible |
Daylight Filtering
| Filter | Description |
|---|---|
| 85 | Standard conversion |
| 85B | Stronger warm |
| Effective ISO | ~125 |
| Alternative | Grade in post |
Storage
| Requirement | Specification |
|---|---|
| Unexposed | -18°C optimal |
| Short-term | Cool, dry |
| Acclimatization | 2-3 hours |
| Exposed | Develop quickly |
Scanning
| Resolution | Recommendation |
|---|---|
| 4K | Standard High-End |
| 6.5K | Premium |
| 2K | Budget |
| HDR | Well suited |
Pros and Cons
| Advantage | Disadvantage |
|---|---|
| Balanced Speed | Not as fast as 500T |
| Fine Grain | More light needed than 500T |
| Wide Latitude | More expensive than digital |
| Beautiful Colors | Lab required |
Best Practices
| Practice | Reason |
|---|---|
| Slightly overexpose | Shadow detail |
| Plan lighting setup | 200 ISO needs light |
| Lab relationship | Consistent processing |
| Test | Get to know the stock |
Today
Kodak Vision3 200T is the mid-tier option in the tungsten family – more speed than hypothetical slower stocks, finer grain than 500T. For controlled interior situations with a good lighting setup, 200T delivers excellent results with the characteristic Vision3 quality.
From the crafts
Perspectives
Director
200T liefert wunderschöne Farben bei Kunstlicht. Die Balance zwischen Korn und Empfindlichkeit passt für viele Situationen.
Producer
Vision3 200T ist vielseitig einsetzbar. Bei Interior-Produktionen mit gutem Licht-Setup eine solide Wahl mit vorhersagbaren Ergebnissen.
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1. Zu welchem Department gehört „Kodak Vision3 200T / Farbnegativ 200T"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?