Cinematographer
Der Exposure Index ist mein Werkzeug für konsistente Belichtung. Ich rate Film oft anders als der Hersteller empfiehlt – für mehr Schatten-Detail oder um in der Post zu pushen.
Practical sensitivity rating assigned to film stock or digital sensor for exposure calculation – allows rating at different values than native ISO for creative or technical reasons, affecting how the light meter and exposure are calibrated.
The Exposure Index (EI) is the practical sensitivity rating that a cinematographer uses to treat film or sensor for exposure calculation. It can deviate from the native ISO value to achieve creative or technical goals.
| Aspect | ISO | EI |
|---|---|---|
| Definition | Standardized sensitivity | Practical rating |
| Flexibility | Fixed | Variable |
| Application | Manufacturer specification | DoP decision |
| Standardization | International | Individual |
| Reason | Description |
|---|---|
| More Shadow Detail | Planned overexposure |
| More Highlight Headroom | Planned underexposure |
| Lab Processing | Push/Pull in development |
| Look | Creative decision |
| Situation | EI Adjustment |
|---|---|
| Normal | Manufacturer specification |
| Push Processing | Higher EI |
| Pull Processing | Lower EI |
| Contrast Adjustment | Varies |
| Film Stock | Native ISO | Typical EI |
|---|---|---|
| Kodak 5219 | 500 | 320–800 |
| Kodak 5213 | 200 | 100–320 |
| Kodak 5207 | 250 | 200–400 |
| Aspect | Description |
|---|---|
| Native ISO | Optimal sensor sensitivity |
| Rating | Light meter setting |
| Metadata | EI is stored |
| Post Adjustment | Flexible with RAW |
| Element | Effect |
|---|---|
| Exposure | Less light needed |
| Development | Longer/more intense |
| Contrast | Increased |
| Grain | Amplified |
| Shadows | Less detail |
| Element | Effect |
|---|---|
| Exposure | More light needed |
| Development | Shorter |
| Contrast | Reduced |
| Grain | Finer |
| Highlights | More latitude |
| Step | Description |
|---|---|
| Set EI | On the meter |
| Measure | Read normally |
| Expose | According to meter |
| Inform Lab | Adjust processing |
| Phase | Action |
|---|---|
| Pre-Production | Determine EI |
| Shooting | Use consistently |
| Camera Report | Document EI |
| Lab/Post | Develop accordingly |
| Camera | EI Handling |
|---|---|
| ARRI | EI in Metadata |
| RED | ISO as Metadata |
| Sony | Base ISO + EI |
| Blackmagic | ISO Setting |
| Goal | EI Strategy |
|---|---|
| Grainy Look | Rate higher, push |
| Clean Image | Native or lower |
| Low Light | Push necessary |
| High Key | Pull for highlights |
| Risk | Avoidance |
|---|---|
| Under/Overexposure | Consistent metering |
| Lab Errors | Clear communication |
| Inconsistency | Set EI per project |
| Era | EI Practice |
|---|---|
| Silent Film | Empirical |
| 1950s | ASA Standard |
| 1970s | ISO Standard |
| Digital | Native ISO + EI |
| Practice | Reason |
|---|---|
| Testing | Validate EI before shooting |
| Documenting | For lab/post |
| Consistent | Within project |
| Communicating | Inform the team |
The Exposure Index remains a fundamental tool for cinematographers. Even with digital cameras offering flexible RAW workflows, understanding EI is important – for consistent exposure on set and an optimal foundation for post-production.
Der Exposure Index ist mein Werkzeug für konsistente Belichtung. Ich rate Film oft anders als der Hersteller empfiehlt – für mehr Schatten-Detail oder um in der Post zu pushen.
Wenn mein DoP einen Film anders ratet, vertraue ich seiner Erfahrung. Die Exposure-Entscheidung beeinflusst den Look und muss zum narrativen Ziel passen.
EI-Entscheidungen beeinflussen Lab-Kosten. Pushen oder Pullen erfordert spezielle Entwicklung – das muss geplant und budgetiert werden.
1. Zu welchem Department gehört „Belichtungsindex / EI / Empfindlichkeitsbewertung"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.