Cinematographer
1/4 CTB is my secret weapon for subtle adjustments. The minimal light loss allows me to easily cool down Tungsten practicals without fully converting them.
Color correction gel at 1/4 CTB strength — reduces blue shift without fully neutralizing it. Used for subtle color temperature adjustments between tungsten and daylight sources.
1/4 CTB (Color Temperature Blue) shifts the color temperature by +34 Mired, raising Tungsten light from 3200K to approximately 3800K. With Lee Filters, this filter is numbered #203, and with Rosco, it is #3208 "1/4 Blue". Light transmission is 67%, corresponding to a loss of 0.6 stops.
1/4 CTB is typically used for subtle correction of practicals. Desk lamps, wall sconces, and candle-replacement LEDs are given 1/4 CTB to mitigate extreme warmth without losing credibility as "real" light sources.
1/4 CTB is often combined:
| Filter | Mired Shift | Kelvin (from 3200K) | Light Loss |
|---|---|---|---|
| 1/8 CTB | +17 | 3500K | 0.3 Stops |
| 1/4 CTB | +34 | 3800K | 0.6 Stops |
| 1/2 CTB | +68 | 4500K | 1.0 Stops |
| Full CTB | +131 | 5600K | 1.8 Stops |
1/4 CTB is my secret weapon for subtle adjustments. The minimal light loss allows me to easily cool down Tungsten practicals without fully converting them.
I use 1/4 CTB for the visual middle ground between cold modernity and warm comfort. Subtle color separation creates depth.
With only 0.6 stops of light loss, 1/4 CTB is the most economical CTB option. I don't need bigger lights.
1. Zu welchem Department gehört „1/4 CTB (Quarter Blue)"?
2. Wie viele verschiedene Fachperspektiven bietet dieser Eintrag?
The Lexikon is part of the Filmfarm ecosystem — alongside budgeting (FilmBalance), an industry magazine (FilmCircus) and crew networking (FilmCall, CrewMesh). One shared vocabulary for the whole production.