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Moviecam SL
Camera · Kameras

Moviecam SL

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moviecam moviecam compact arricam lt arri 235 steadicam

35mm camera from 1997, weighs 4.7 kg. Built for tight spaces and mobile work: handheld, Steadicam, helicopters. The smallest full-spec studio camera of that era.

What is the Moviecam SL?

The Moviecam SL (1997) – "SL" stands for Super Lightweight – was Moviecam's lightest and last 35mm camera before the ARRI acquisition. Weighing only 4.7 kg for the body, it was the most compact professional 35mm camera of its time, setting new standards for mobile film production.

Technical Specifications

FeatureValue
Format35mm (4-perf / 3-perf)
Weight (Body)4.7 kg
Frame Rate4–50 fps
Shutter11.2°–180°
Noise<20 dBA
MountPL Mount
Magazines120m / 300m

Key Features

  • 4.7 kg – Lightest 35mm camera of its era
  • <20 dBA – Suitable for sound recording
  • 3-Perf Option – Potential film stock savings
  • 50 fps – Moderate slow motion capability
  • PL Mount – Full lens compatibility
  • Compact – Optimized for Steadicam and handheld

The Weight Evolution at Moviecam

ModelYearWeightImprovement
Moviecam 3519807.5 kgBase
Compact19885.0 kg-33%
SuperAmerica19925.7 kgStudio quality
SL19974.7 kg-37% vs. Base

Moviecam SL vs. Competition (1997)

CameraWeightNoise
Moviecam SL4.7 kg<20 dBA
Moviecam Compact5.0 kg<21 dBA
ARRI 4355.4 kg<20 dBA
ARRI 535B7.5 kg<19 dBA
Panavision Panastar4.5 kg<22 dBA

Position: The SL was the lightest *quiet* 35mm camera.

Notable Films

FilmYearDPUsage
Titanic1997Russell Carpenter, ASCCamera movement
Dark City1998Dariusz Wolski, ASCSteadicam
Fight Club1999Jeff Cronenweth, ASCHandheld
The Talented Mr. Ripley1999John Seale, ASCCamera movement

Steadicam Perfection

The SL was designed for maximum mobility:

Weight Comparison (complete with 120m magazine)

SetupSLARRICAM LT (2000)
Body4.7 kg4.5 kg
+ Magazine5.8 kg5.6 kg
+ Lens7.0 kg6.8 kg
+ Accessories8.0 kg7.8 kg

Conclusion: The SL led in 1997; the ARRICAM LT (2000) took the crown.

Steadicam Advantages

  • Minimal fatigue
  • Longer takes possible
  • Better balance
  • More creative freedom

The Moviecam System

The SL was the lightest link in the system:

ModelRoleWeightStrength
SLUltra-mobility4.7 kgWeight
CompactMobility5.0 kgBalance
SuperAmericaStudio5.7 kgQuietness

Common Components

  • Magazines (120m, 300m)
  • Viewfinder
  • Video Assist
  • Follow Focus Systems

Typical Configurations

Steadicam Minimal

  • SL Body
  • 120m Magazine
  • Compact Prime (25mm)
  • Wireless Video
  • Weight: ~7 kg complete

Handheld

  • SL Body
  • 120m Magazine
  • Handgrips
  • Shoulder Pad
  • Weight: ~7.5 kg complete

Crane/Remote

  • SL Body
  • 300m Magazine
  • Remote Head
  • Wireless everything
  • Weight: ~9 kg complete

The ARRI Acquisition and the End

Timeline

YearEvent
1997SL Market Introduction
2000ARRICAM LT Released (4.5 kg)
2003ARRI Acquires Moviecam
2003SL Production Halted

ARRICAM LT as Successor

The ARRICAM LT (2000) adopted the SL philosophy:

FeatureSLARRICAM LT
Weight4.7 kg4.5 kg
Noise<20 dBA<20 dBA
LDSNoYes
ModularityGoodExcellent

Why the SL Was Important

Technically

  • Proved 35mm quality was possible under 5 kg
  • Set new benchmarks for compactness
  • Drove innovation at ARRI

For the Industry

  • Expanded creative possibilities
  • Made camera movement more accessible
  • Inspired ARRICAM LT development

For Cinematographers

  • Reduced physical strain
  • Enabled longer working days
  • Increased on-set spontaneity

Today

The Moviecam SL is no longer produced, but:

  • Collectors – Rare and sought after
  • Specialty Rentals – Hardly available anymore
  • Historical Value – Last Moviecam innovation
  • Service – Very limited via ARRI
AspectDetails
Used Price€12,000–€22,000
AvailabilityExtremely limited
ServiceVery limited
Spare PartsHardly available
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