Standardized grip system developed by Matthews Studio Equipment (Burbank, 1946) featuring 5/8" baby pins for precise light positioning via C-Stands, Gobo Arms, and Grip Heads in Hollywood production.
Technical Details
The basic system consistently uses 5/8" Baby pins with a standard length of 152mm. The main variants include C-stands with heights from 1.3m to 3.35m, Gobo Arms with reach up to 107cm, and Grip Heads with 360° rotation angles. The grip locks operate with an eccentric lever system that generates a clamping force of up to 340kg with a 90° turn. Modern versions feature self-locking mechanisms and corrosion-resistant steel alloys with a matte surface coating to prevent reflections.
History & Development
Enzo Matthews founded Matthews Studio Equipment in Burbank in 1946 and developed the first standardized grip system for Hollywood studios. In 1952, he introduced the distinctive 5/8" standard, which prevailed over competing systems. The breakthrough came in 1963 with the introduction of the Century C-stands, named after the Century Lighting Company. In the 1980s, Matthews expanded the system with modern lightweight alloy components and quick-release mechanisms for the growing commercial film production industry.
Practical Application in Film
On productions like "Blade Runner 2049" (2017), DoP Roger Deakins used Matthews Grips for complex lighting setups with multi-layered diffusion flags. The system allows precise positioning of gobos and cutters with minimal space requirements – crucial on cramped sets. Matthews Arms can be positioned continuously between the light and the flag, which is indispensable for subtle shadow gradients. The disadvantage lies in the weight: a fully equipped 40" C-stand weighs 8.6kg and requires sandbags for stabilization.
Comparison & Alternatives
While Manfrotto tripods rely on quick-release mechanisms, Matthews prioritizes mechanical precision over speed. Avenger Super Clamps offer higher load capacity, while Matthews Grips score points for modular expandability. Modern carbon alternatives from Gitzo reduce weight by 40% but do not achieve the stability of the steel Matthews construction. In high-end cinema production, Matthews remains the standard, while in the low-budget sector, Impact and Neewer use cost-effective replicas that rarely achieve the original precision fit.