Century Precision Optics anamorphic adapters (1989–2008) with dual cylindrical lens elements for horizontal compression. Reduce light transmission by 1–1.3 stops; budget-friendly alternative to Panavision anamorphic systems.
Technical Details
The Century Anamorphic series includes diameters from 77mm to 138mm with precise step-up rings for various lens mounts. The optical design consists of two cylindrical lens elements that refract exclusively on the horizontal axis. Typical focal length ranges of the base lenses are between 35mm and 85mm for full frame. The attachments reduce the aperture by approximately 1-1.3 stops and require precise focus pulling, as the focal plane shifts relative to the base lens. The minimum focusing distance typically increases by 20-30%.
History & Development
Century Precision Optics developed the Anamorphic series in the late 1980s as a cost-effective alternative to expensive anamorphic lens sets like the Panavision C- or E-Series. The first models hit the market in 1989 and quickly established themselves in the independent sector. In the 2000s, Century expanded the series with HD-optimized versions featuring improved edge sharpness. After being acquired by Schneider Optics in 2008, production ceased, and used Anamorphics are now traded as sought-after vintage optics.
Practical Use in Film
Numerous independent productions of the 1990s utilized Century Anamorphics, including Kevin Smith's "Clerks II" (2006) and various music videos by directors like Michel Gondry. The typical workflow requires careful calibration of focus markings, as the focus shift varies between different focal lengths. Advantages include the moderate acquisition costs and flexibility in lens choice. Disadvantages are evident in the reduced light transmission, increased chromatic aberration at the image edges, and more complex focus pulling for fast camera movements.
Comparison & Alternatives
In contrast to true anamorphic lenses like Hawk V-Lite or ARRI Master Anamorphic, Century Anamorphics offer lower optical quality but significantly lower costs. Modern alternatives include SLR Magic Anamorphic-40 or Moment Anamorphic lenses for smaller formats. While dedicated anamorphic optics provide consistent imaging performance across all focal lengths, Anamorphics are primarily suited for controlled shooting situations without extreme lighting conditions or rapid focus pulls.